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X-WR-CALDESC:Events for Connecticut Art Trail
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DTSTART;TZID=America/New_York:20241010T160000
DTEND;TZID=America/New_York:20241010T170000
DTSTAMP:20241008T183339Z
CREATED:20241008T183339Z
LAST-MODIFIED:20241008T183339Z
UID:10001595-1728576000-1728579600@ctarttrail.org
SUMMARY:Gallery Demonstration: Tools and Techniques for Making Woodcuts
DESCRIPTION:How did artists like Dürer make their woodcuts? In these 45-minute sessions\, Master Printer Chris Shore of the Center for Contemporary Printmaking will explore the techniques and tools used by 15th and 16th century European artists. The two demonstrations will be conducted in the Bellarmine Hall Galleries at 4 p.m. and again at 6:30 p.m.\, where the exhibition Ink and Time: European Prints from the Wetmore Collection is on view September 12 through December 21 (click here to learn more about the exhibition).\nPlease note: We’ve scheduled these two sessions around Halima Taha’s 5 p.m. lecture in the Quick Center for the Arts’ Kelley Theatre! If you’re interested in her talk\, click here to register for that event.\nImage: Albrecht Dürer\, Four Horsemen of the Apocalypse\, 1496-8\, woodcut. Courtesy of the Wetmore Collection\, Connecticut College\nPlease note that only 2 tickets may be reserved per order. If you have questions\, please contact museum@fairfield.edu.
URL:https://ctarttrail.org/event/gallery-demonstration-tools-and-techniques-for-making-woodcuts/2024-10-10/1/
LOCATION:Bellermine Hall – Fairfield University\, 1073 North Benson Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Educational
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/Chris-Shore-Demo.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241010T173000
DTEND;TZID=America/New_York:20241010T183000
DTSTAMP:20241002T205511Z
CREATED:20241002T205510Z
LAST-MODIFIED:20241002T205511Z
UID:10001668-1728581400-1728585000@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history/
CATEGORIES:Adults,Art Classes and Workshops,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/daunt-books-1yHNYb.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241010T183000
DTEND;TZID=America/New_York:20241010T193000
DTSTAMP:20241008T183339Z
CREATED:20241008T183339Z
LAST-MODIFIED:20241008T183339Z
UID:10001596-1728585000-1728588600@ctarttrail.org
SUMMARY:Gallery Demonstration: Tools and Techniques for Making Woodcuts
DESCRIPTION:How did artists like Dürer make their woodcuts? In these 45-minute sessions\, Master Printer Chris Shore of the Center for Contemporary Printmaking will explore the techniques and tools used by 15th and 16th century European artists. The two demonstrations will be conducted in the Bellarmine Hall Galleries at 4 p.m. and again at 6:30 p.m.\, where the exhibition Ink and Time: European Prints from the Wetmore Collection is on view September 12 through December 21 (click here to learn more about the exhibition).\nPlease note: We’ve scheduled these two sessions around Halima Taha’s 5 p.m. lecture in the Quick Center for the Arts’ Kelley Theatre! If you’re interested in her talk\, click here to register for that event.\nImage: Albrecht Dürer\, Four Horsemen of the Apocalypse\, 1496-8\, woodcut. Courtesy of the Wetmore Collection\, Connecticut College\nPlease note that only 2 tickets may be reserved per order. If you have questions\, please contact museum@fairfield.edu.
URL:https://ctarttrail.org/event/gallery-demonstration-tools-and-techniques-for-making-woodcuts/2024-10-10/2/
LOCATION:Bellermine Hall – Fairfield University\, 1073 North Benson Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Educational
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/Chris-Shore-Demo.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241024T173000
DTEND;TZID=America/New_York:20241024T183000
DTSTAMP:20241002T205512Z
CREATED:20241002T205511Z
LAST-MODIFIED:20241002T205512Z
UID:10001670-1729791000-1729794600@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history-2/
CATEGORIES:Adults,Art Classes and Workshops,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/daunt-books-1yHNYb.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241029T160000
DTEND;TZID=America/New_York:20241029T170000
DTSTAMP:20241008T182506Z
CREATED:20241008T182506Z
LAST-MODIFIED:20241008T182506Z
UID:10001600-1730217600-1730221200@ctarttrail.org
SUMMARY:Gallery Demonstration: Tools and Techniques for Etching and Engraving
DESCRIPTION:How did Rembrandt\, Barocci\, and Canaletto create their etchings and engravings? Learn about the traditional techniques and tools of intaglio printmaking with Master Printer Chris Shore of the Center for Contemporary Printmaking.\nThese 45-minute sessions will be conducted in the Bellarmine Hall Galleries where the exhibition Ink and Time: European Prints from the Wetmore Collection is on view through December 21 (click here to learn more about the exhibition).\nImage: Federico Barocci\, St. Francis Receiving the Stigmata\, ca. 1581\, etching and engraving. Courtesy of the Wetmore Collection\, Connecticut College.\nPlease note that only 2 tickets may be reserved per order. If you have questions\, please contact museum@fairfield.edu.
URL:https://ctarttrail.org/event/gallery-demonstration-tools-and-techniques-for-etching-and-engraving-2/2024-10-29/1/
LOCATION:Bellermine Hall – Fairfield University\, 1073 North Benson Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Adults,Educational
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/Barocci-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241029T183000
DTEND;TZID=America/New_York:20241029T193000
DTSTAMP:20241008T182506Z
CREATED:20241008T182506Z
LAST-MODIFIED:20241008T182506Z
UID:10001601-1730226600-1730230200@ctarttrail.org
SUMMARY:Gallery Demonstration: Tools and Techniques for Etching and Engraving
DESCRIPTION:How did Rembrandt\, Barocci\, and Canaletto create their etchings and engravings? Learn about the traditional techniques and tools of intaglio printmaking with Master Printer Chris Shore of the Center for Contemporary Printmaking.\nThese 45-minute sessions will be conducted in the Bellarmine Hall Galleries where the exhibition Ink and Time: European Prints from the Wetmore Collection is on view through December 21 (click here to learn more about the exhibition).\nImage: Federico Barocci\, St. Francis Receiving the Stigmata\, ca. 1581\, etching and engraving. Courtesy of the Wetmore Collection\, Connecticut College.\nPlease note that only 2 tickets may be reserved per order. If you have questions\, please contact museum@fairfield.edu.
URL:https://ctarttrail.org/event/gallery-demonstration-tools-and-techniques-for-etching-and-engraving-2/2024-10-29/2/
LOCATION:Bellermine Hall – Fairfield University\, 1073 North Benson Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Adults,Educational
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/Barocci-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
END:VCALENDAR