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CREATED:20241101T210340Z
LAST-MODIFIED:20241101T210343Z
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SUMMARY:Holiday Boutique: Saturday\, November 30 and Sunday\, December 1
DESCRIPTION:REGISTER\nJoin us on Saturday\, November 30 & Sunday\, December 1 from 10 a.m. to 4 p.m.\, for a seasonal shopping experience with artisan items\, gifts\, and holiday decor. There will be caroling\, and open houses of the Museum will be available both days for an additional fee. The event takes place indoors.  Admission to the Holiday Boutique is free but pre-registration is requested.
URL:https://ctarttrail.org/event/holiday-boutique-saturday-november-30-and-sunday-december-1-3/
CATEGORIES:Adults,Educational,Kids and Families,Outdoors,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/11/2021-Dec-5-Hill-Stead-Holiday-Boutique-19-scaled-wdzLaB.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241205T173000
DTEND;TZID=America/New_York:20241205T183000
DTSTAMP:20260422T191821
CREATED:20241002T205515Z
LAST-MODIFIED:20241002T205515Z
UID:10001667-1733419800-1733423400@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history-7/
CATEGORIES:Adults,Art Classes and Workshops,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/daunt-books-1yHNYb.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241205T173000
DTEND;TZID=America/New_York:20241205T183000
DTSTAMP:20260422T191821
CREATED:20241002T205515Z
LAST-MODIFIED:20241002T205515Z
UID:10001674-1733419800-1733423400@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history-8/
CATEGORIES:Adults,Art Classes and Workshops,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/daunt-books-1yHNYb.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241205T173000
DTEND;TZID=UTC:20241205T183000
DTSTAMP:20260422T191821
CREATED:20241101T210341Z
LAST-MODIFIED:20241201T212402Z
UID:10001740-1733419800-1733423400@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history-13/
CATEGORIES:Adults,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/11/daunt-books-kzRlRF.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241214T123000
DTEND;TZID=America/New_York:20241214T160000
DTSTAMP:20260422T191821
CREATED:20241125T154711Z
LAST-MODIFIED:20241125T154711Z
UID:10001816-1734179400-1734192000@ctarttrail.org
SUMMARY:Family Day: Holiday Crafts
DESCRIPTION:Join us on Saturday\, December 14th in the Bellarmine Hall\, Museum Classroom for a Family Day inspired by horses\, cats\, birds\, and more!\nThe first session will begin promptly at 12:30 p.m. and the second at 2:30 p.m.\nDuring this Family Day event\, kids ages 4-10 will get to challenge their creativity as participate in a range of hands-on projects\, a scavenger hunt\, and more!
URL:https://ctarttrail.org/event/family-day-holiday-crafts/
LOCATION:Bellermine Hall – Fairfield University\, 1073 North Benson Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Art Classes and Workshops,Children,Educational,Family Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/11/Family-Day-Winter.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241219T173000
DTEND;TZID=America/New_York:20241219T183000
DTSTAMP:20260422T191821
CREATED:20241002T205516Z
LAST-MODIFIED:20241002T205516Z
UID:10001669-1734629400-1734633000@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history-9/
CATEGORIES:Adults,Art Classes and Workshops,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/daunt-books-1yHNYb.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241219T173000
DTEND;TZID=America/New_York:20241219T183000
DTSTAMP:20260422T191821
CREATED:20241002T205516Z
LAST-MODIFIED:20241002T205516Z
UID:10001675-1734629400-1734633000@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history-10/
CATEGORIES:Adults,Art Classes and Workshops,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/10/daunt-books-1yHNYb.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241219T173000
DTEND;TZID=UTC:20241219T183000
DTSTAMP:20260422T191821
CREATED:20241101T210341Z
LAST-MODIFIED:20241201T212402Z
UID:10001741-1734629400-1734633000@ctarttrail.org
SUMMARY:Art History Short Course - Books that Changed Art History
DESCRIPTION:REGISTER\nInterested in learning more about art history? Join us this Fall for a series of thought-provoking lectures!\nDescription: Art history is more than a series of facts about artists\, artworks\, dealers\, and patrons. It is also a mode of inquiry that\, over decades\, indeed centuries\, has been shaped by the writing and research of many different scholars. Taking this insight as its starting point\, this short course of lectures introduces six prominent books that shaped art history as an academic discipline\, framing these books alongside the authors who wrote them and the contexts in which they were written. By proceeding chronologically\, the lectures introduce some of the key paradigms of art history as it is still practiced today: from connoisseurship and formal analysis to iconology\, feminism\, and the social history of art. These frameworks of interpretation can be applied to the art of any period and any geographic origin. However\, because of the strength of Hill-Stead’s collection\, the lectures will give special attention to the case of impressionism.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Fall 2024): Every other Thursday at 5:30PM at Hill-Stead. Lectures in the short course can be purchased individually or as a whole series.\nOct. 10 – Bernard Berenson\, The Florentine Painters of the Italian Renaissance (1896)\nOct. 24 – Heinrich Wölfflin\, The Principles of Art History (1915)\nNov. 7 – Erwin Panofsky\, Studies in Iconology (1939)\nNov. 21 – Ernst Gombrich\, Art and Illusion (1960)\nDec. 5 – Linda Nochlin\, Why Have There Been No Great Women Artists? (1971)\nDec. 19 – T.J. Clark\, The Painting of Modern Life (1984)\nEnrollment: Capped at 80. Seats are reserved on a first come first serve basis.\nTuition:\nGuides: Pay what you wish\nMembers: $180 ($30 per lecture)\nNon-members: $210 ($35 per lecture)\nAbout the Lecturer: C. Oliver O’Donnell\, PhD is Director of Research and Academic Programs at Hill-Stead Museum as well as Senior Research Fellow at the University of California\, Berkeley. Prior to his current positions\, he taught at the BA and MA level at the Courtauld Institute of Art in London\, at the University of Basel in Switzerland\, and at St. John’s University in New York. He has held full-time research appointments at the Warburg Institute of the University of London and at the Kunsthistorisches Institut in Florenz\, a Max Planck Institute. As a specialist in modern art\, especially of the United States\, Oliver’s research has appeared in leading scholarly journals such as The Art Bulletin\, Word & Image\, and Tate Papers; and his first monograph\, which is a study of the pioneering art historian and New York intellectual Meyer Schapiro (Pennsylvania State University Press\, 2019)\, won the Willibald Sauerländer Prize from the Zentralinstitut für Kunstgeschichte in Munich. Educated at Washington University in St. Louis (B.A.; B.F.A.)\, the University of London (M.A.)\, and the University of California\, Berkeley (Ph.D.)\, Oliver is especially proud of his students\, including many life-long learners\, who have gone on to publish research that he supervised and to write PhD dissertations of their own. He currently serves as an Editor of Panorama: the Journal of the Association of Historian of American Art . Forthcoming publications include a monograph on portraiture as well as peer-reviewed essays on the Barnes Foundation and the Armory Show of 1913.
URL:https://ctarttrail.org/event/art-history-short-course-books-that-changed-art-history-14/
CATEGORIES:Adults,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2024/11/daunt-books-kzRlRF.tmp_.jpg
END:VEVENT
END:VCALENDAR