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74th A•ONE

The 74th A•ONE is a national exhibition highlighting the diversity of work that is currently being made by established and emerging artists. Established in 1949 as the New England Exhibition, a regional exhibit, it later became known as Art of the Northeast and is now a national exhibition. It features a wide range of collectible contemporary artwork that is both vibrant and surprising. Throughout its history, Silvermine’s signature exhibition has featured the work of many prominent artists including Louise Nevelson,…

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when

September 7, 2024 @ 12:00 am - 11:59 pm

where

1037 Silvermine Road
New Canaan, CT 06840 United States

about

The 74th A•ONE is a national exhibition highlighting the diversity of work that is
currently being made by established and emerging artists.

Established in 1949 as the New England Exhibition, a regional exhibit, it later became known as Art of the Northeast and is now a national exhibition. It features a wide range of collectible contemporary artwork that is both vibrant and surprising. Throughout its history, Silvermine’s signature exhibition has featured the work of many prominent artists including Louise Nevelson, Elaine de Kooning, and Milton Avery, and jurors have included major critics, curators, and directors from influential art institutions.

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On Thin Ice: Alaska’s Warming Wilderness

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Bruce Museum

Isamu Noguchi: Metal the Mirror

“Here is where finally opposites come together, I see a surprising purity. Stone is the depth, metal the mirror. They do not conflict…” —Isamu Noguchi While the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83.…

Bruce Museum

The Art of Work: Painting Labor in Nineteenth-Century Denmark

One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen, Denmark, a fishing village located on the country’s northernmost point. As with the exhibition in Paris, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes, subjects, and locales…

Bruce Museum

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