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Art in Focus: Johannes Adam Simon Oertel

Join Curator of Education Michelle DiMarzo for an informal discussion of this work from the exhibition Monuments: Commemoration and Controversy: Johannes Adam Simon Oertel, Pulling Down the Statue of King George III, New York City, 1852-1853, oil on canvas. The New York Historical, Gift of Samuel V. Hoffman, 1925.6. Courtesy of The New York Historical This event will also be livestreamed at 1 p.m. Click here to register for a reminder. About the Exhibition: Monuments: Commemoration and Controversy (organized by…

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when

October 9, 2025 @ 12:00 pm - 1:00 pm

where

1073 North Benson Rd
Fairfield, CT 06824 United States

cost

Free

contact

Fairfield University Art Museum

203.254.4000 ext. 2726

about

Join Curator of Education Michelle DiMarzo for an informal discussion of this work from the exhibition Monuments: Commemoration and Controversy: Johannes Adam Simon Oertel, Pulling Down the Statue of King George III, New York City, 1852-1853, oil on canvas. The New York Historical, Gift of Samuel V. Hoffman, 1925.6. Courtesy of The New York Historical
This event will also be livestreamed at 1 p.m. Click here to register for a reminder.
About the Exhibition: Monuments: Commemoration and Controversy (organized by The New York Historical) explores monuments and their representations in public spaces as flashpoints of fierce debate over national identity, politics, and race that have raged for centuries. Offering a historical foundation for understanding today’s controversies, the exhibition features fragments of a statue of King George III torn down by American Revolutionaries, a souvenir replica of a bulldozed monument by Harlem Renaissance sculptor Augusta Savage, and a maquette of New York City’s first public monument to a Black woman, Harriet Tubman, among other objects from The New York Historical’s collection. The exhibition reveals how monument-making and monument-breaking have long shaped American life as public statues have been celebrated, attacked, protested, altered, and removed.

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One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen, Denmark, a fishing village located on the country’s northernmost point. As with the exhibition in Paris, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes, subjects, and locales…

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