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Bruce Experiences: French Film Series:–1874, The Birth of Impressionism

The docufiction “1874, The Birth of Impressionism” retraces the encounter of the young painters who changed the course of art history. April 15, 1874, boulevard des Capucines, Paris. In the studio of their friend, the photographer Nadar, some thirty young painters were preparing to present over one hundred and fifty of their works to the public. At the end of a bubbling century, when modernity was emerging, this group of rebellious artists, free of codes, dared to hold an independent…

when

February 23, 2025 @ 2:00 pm - 4:00 pm

where

1 Museum Drive
Greenwich, CT 06830-7157 United States

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10

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The docufiction “1874, The Birth of Impressionism” retraces the encounter of the young painters who changed the course of art history.

April 15, 1874, boulevard des Capucines, Paris. In the studio of their friend, the photographer Nadar, some thirty young painters were preparing to present over one hundred and fifty of their works to the public. At the end of a bubbling century, when modernity was emerging, this group of rebellious artists, free of codes, dared to hold an independent exhibition, which was to make headlines. Impressionism was born. On the occasion of a major exhibition celebrating the event’s 150th anniversary at the Musée d’Orsay in 2024, this documentary looks back at the moment that saw painters such as Monet, Renoir, Cézanne, Morisot, Degas, Sisley and Pissarro change art history. (Julien Johan and Hugues Nancy, 2024, French with English language subtitles, DCP, 90 minutes)

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Kenji Nakahashi: Strange Beauty

Best known for his conceptual and street photography, Kenji Nakahashi (Japanese, 1947–2017) produced a highly experimental body of work grounded in the everyday. Image: Kenji Nakahashi (Japanese, 1947–2017) Time–B, 1980 (printed 1985) Gelatin silver print, 11 x 14 in. Bruce Museum, Anonymous gift in memory of Kenji Nakahashi, 2022.01.33 © Center for Creative Photography, Arizona Board of Regents

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Blanche Lazzell: Becoming an American Modernist

The first monographic exhibition of her work in nearly two decades, Blanche Lazzell: Becoming an American Modernist traces the artist’s pioneering approaches to abstraction in the United States. Image: Blanche Lazzell (American, 1878–1956) Church Around the Corner, 1949 Oil on canvas, 28 x 36 3/16 in. Art Museum of West Virginia University Collection, acquired through Frances Sellers © Estate of Blanche Lazzell

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On Thin Ice: Alaska’s Warming Wilderness

On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape, bringing attention to the impact of rising temperatures.

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