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DTSTART;TZID=America/New_York:20250101T100000
DTEND;TZID=America/New_York:20251231T170000
DTSTAMP:20260514T130626
CREATED:20250408T140817Z
LAST-MODIFIED:20250408T140817Z
UID:10003954-1735725600-1767200400@ctarttrail.org
SUMMARY:Adopt-a-Horse 2025
DESCRIPTION:Support for the collection helps us tell the stories that we share with our community and visitors every day\, and we could not do it without you! When you adopt one of the 50 animals up for adoption in 2025\, you are directly supporting our efforts to fulfill our mission: The Carousel Museum is a non-profit organization that preserves and exhibits antique and modern carousel art\, and celebrates dedicated craftsmen\, to inspire creativity\, joy\, and wonder. \nWith your adoption you get:\nTo name your animal for the 2025 calendar year!\nA plaque recognizing your contribution in the gallery.\nAn official “Adoption Certificate.”\n1-year Family Membership (12 months from the time of adoption)\nLimited Edition 2025 Adoption Pin!\nFREE General admission to The Carousel Museum all year long! \nEvent Details\nDate: 2025\nTime: Online\nLocation: The Carousel Museum\, 95 Riverside Ave\, Bristol\, CT 06010
URL:https://ctarttrail.org/event/adopt-a-horse-2025/
LOCATION:The Carousel Museum\, 95 Riverside Ave\, Bristol\, CT 06010\, CT\, 06010\, United States
CATEGORIES:Adults,Animals for All,Children
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Available-Adopt-a-Horse-Stamp-2025-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250501T173000
DTEND;TZID=UTC:20250710T190000
DTSTAMP:20260514T130626
CREATED:20241231T213300Z
LAST-MODIFIED:20241231T213900Z
UID:10001889-1746120600-1752174000@ctarttrail.org
SUMMARY:Hill-Stead Short Course - Impressionism: French Origins\, American Afterlives
DESCRIPTION:REGISTER\nDescription:\nFew chapters in the history of modern art are more loved and revered\, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now\, more than 150 years after the first impressionist exhibition in Paris in 1874\, the scholarship concerning this style of painting is so extensive that it is difficult to summarize. This short course of 6 lectures confronts this daunting situation head on by breaking impressionism down into key artists and themes central to the movement\, focusing specifically on its original practitioners in France and those who later adopted the style in the United States. By analyzing the work of a celebrated French master like Edgar Degas alongside that of his American follower Everett Shinn\, for instance\, or the paintings of Pierre-Auguste Renoir in conjunction with those of William Glackens\, the transatlantic ramifications of impressionism and the enduring power of Hill-Stead’s collection are clarified.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.\nSchedule (Spring 2025): (Every other Thursday at 5:30PM at Hill-Stead)\n20 Feb 2025 – Manet\, Sloan\, and Critique\n06 Mar 2025 – Renoir\, Glackens\, and Leisure\n20 Mar 2025 – Morisot\, Henri\, and Portraiture\n03 Apr 2025 – Monet\, Hassam\, and Light\n17 Apr 2025 – Degas\, Shinn\, and Spectacle\n01 May 2025 – Cassatt\, Bellows\, and Gender
URL:https://ctarttrail.org/event/hill-stead-short-course-impressionism-french-origins-american-afterlives-7/
CATEGORIES:Adults,Educational,Lectures,Public Programs
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250613
DTEND;VALUE=DATE:20250909
DTSTAMP:20260514T130626
CREATED:20250225T160557Z
LAST-MODIFIED:20250225T160557Z
UID:10002693-1749772800-1757375999@ctarttrail.org
SUMMARY:Tools as Art: Work and Play
DESCRIPTION:Featuring a selection of more than fifty works from the Hechinger Collection\, this exhibition celebrates the transformation of common industrial objects into extraordinary works of art exploring tools as icons of labor\, labor as a component of creativity\, and creativity as a form of play. The showcased works illustrate how artists manipulate their subjects to forge entirely novel forms. They feature artists who embrace tools as a hallmark of civilization or for humor and social commentary.
URL:https://ctarttrail.org/event/tools-as-art-work-and-play/
LOCATION:Bendel Mansion\, 39 Scofieldtown Road\, Stamford\, CT\, 06903\, United States
CATEGORIES:Exhibitions,Temporary Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250707
DTEND;VALUE=DATE:20250712
DTSTAMP:20260514T130626
CREATED:20250701T050351Z
LAST-MODIFIED:20250701T050351Z
UID:10005870-1751846400-1752278399@ctarttrail.org
SUMMARY:School's Out: Mini MIXMASTER
DESCRIPTION:9:30am–3:30pm @ The MATT\nFREE Early Drop Off and Late Pickup included from 8 AM – 9:30 AM and 3:30 PM – 5:00 PM.\nChildren ages 6 and up are invited to participate in exciting\, art-filled weekly camps designed to spark imagination\, build confidence\, and encourage creative expression through hands-on projects and interactive experiences. Whether your child loves painting\, performance\, or both\, there’s something for everyone this summer at The MATT. Each week offers a new theme as children explore the Museum’s exhibitions and collections while creating their own original works of art. All materials are provided. Campers must bring a bagged lunch.\nDive into a range of artistic styles and techniques in a fun and dynamic week inspired by great artists.\nRegister Here\nCost: \nChild: $210 | Member Child: $200 | Kids Adventure Passholder: $105\nKids Adventure Pass\nFinancial aid available through United Way of Greater Waterbury Camperships.\nSupport provided by American Savings Foundation\, United Way of Greater Waterbury\, Post University
URL:https://ctarttrail.org/event/schools-out-mini-mixmaster/
LOCATION:Mattatuck Museum\, 144 W Main St\, Waterbury\, CT\, United States
GEO:41.556639;-73.043483
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250707T090000
DTEND;TZID=America/New_York:20250711T150000
DTSTAMP:20260514T130626
CREATED:20250423T201818Z
LAST-MODIFIED:20250423T201818Z
UID:10004181-1751878800-1752246000@ctarttrail.org
SUMMARY:Summer @AMP: Outdoor Design & Build Session 3
DESCRIPTION:Real-life carpentry and woodworking\nThree sessions:  \nODB Basic: Structure:  June 23–June 27   *WAITLIST ONLY \nODB Basic: Sculpture:  June 30–July 3 \nODB Advanced:  July 7–July 11 \nDream it and build it! In this small-group outdoor program\, tweens and teens will design\, plan\, and build lasting wood structures and sculptures. Working together\, under the guidance of an experienced woodworker-artisan duo\, participants gain practical skills—and confidence—using hand tools to create projects. Past projects include an outdoor stage\, A-frame\, pergola\, planter boxes\, and a treehouse.  \nIn these five fun-filled days\, kids will:\nGain basic carpentry skills—measuring\, cutting\, fitting\, and more. \nUse their own set of hand tools—and take pride in their proper care and safe use. \nTry out building techniques using modern\, dimensional lumber. \nLearn to source natural materials from the environment. \nDevelop spatial design aptitudes. \nWork as a team.  \nDiscover the sheer joy of real-life woodworking and building. \nSpace is limited. This is a small-group outdoor program that maintains a 3:1 student-to-teacher ratio to provide hands-on direction. Early registration is recommended. \nSession 3 – ODB Advanced\nParticipants will apply the skills they’ve gained and learn new ones\, designing and building with more autonomy. Through AMP’s partnership with the RiseUp for Art Able TableTM initiative\, participants will: \nDesign and build a structure for AMP’s campus.Build wheelchair/stroller-accessible picnic tables to enhance the community.  \nExplore accessibility in public furniture design\, ensuring that everyone “has a place at the table.” \nContribute to tangible\, community-serving projects. \nLearn how public art transforms spaces and fosters inclusion\, and more. \nTo register for ODB ADVANCED\, you MUST meet one of these requirements: \nSuccessful completion of one of the Outdoor Design & Build BASIC sessions OR \nSuccessful completion of ODB in a previous year OR \nPassing a basic carpentry skills assessment (Request an assessment when you register.) \nAges: 12+\nDates: Monday\, July 7 – Friday\, July 11\nTimes: 9am–3pm\nTeaching Artists: Chip Heuer and David Polon\nPartnerships: RiseUp for Art\nFee: $395 \nEarly Bird Discount\nA $25 Early Bird discount will be applied when you register before March 31.  \nScholarships\nScholarships are available on a first come\, first served basis.
URL:https://ctarttrail.org/event/summer-amp-outdoor-design-build-session-3/
LOCATION:American Mural Project\, 90 Whiting St\, Winsted\, 06098\, United States
CATEGORIES:Educational,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/summerbanner-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250707T090000
DTEND;TZID=America/New_York:20250711T153000
DTSTAMP:20260514T130626
CREATED:20250408T141009Z
LAST-MODIFIED:20250408T141009Z
UID:10003860-1751878800-1752247800@ctarttrail.org
SUMMARY:Summer @AMP: Teen Art Studio Week 2
DESCRIPTION:Ages: 13+\nTwo sessions—choose one or both:\n      • TAS 1: June 23 – 27\n      • TAS 2: July 7 – 11\nTime: 9am–3:30pm\nTeaching Artist: Shana Bazelmans\nFee: $350 per session \nAt Teen Art Studio\, teens step into their power as creators. They’ll choose their own art projects and mediums and—with their dedicated teaching artist’s guidance—create independently and collaboratively. Photographs\, print\, cloth\, and a vast array of other mediums will be offered.  \nTeens will have the opportunity to: \nMaster techniques in sculpture\, illustration\, mixed media\, painting\, fashion design\, and more. \nDevelop their unique artistic voice through personalized projects. \nBuild a portfolio for future artistic endeavors. \nForm meaningful connections with fellow young artists. \nGain confidence through creative problem solving. \nLearn from an experienced teaching artist who nurtures individual talent. \nPerfect for both beginners and experienced young artists\, this program provides all the tools\, guidance\, and inspiration teens needs to thrive creatively. \nThis is a small group program. Space is limited.\nRegistration is now open for Teen Art Studio. Link: https://americanmuralproject1.regfox.com/teen-art-studio \nAMP’s summer programs are made possible in part by Thomaston Savings Bank.\nScholarships available. Learn more: https://www.americanmuralproject.org/summer-faq#summerscholarships\nExplore more Summer @AMP programs: https://www.americanmuralproject.org/summer \nYou don’t have to wait for summer!\nCheck out AMP’s monthly Teen Art Studio during the academic year: https://www.americanmuralproject.org/teen-art-studio
URL:https://ctarttrail.org/event/summer-amp-teen-art-studio-week-2/
LOCATION:American Mural Project\, 90 Whiting St\, Winsted\, 06098\, United States
CATEGORIES:Art Classes and Workshops,Educational
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/03/summerbanner-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250707T150000
DTEND;TZID=America/New_York:20250711T170000
DTSTAMP:20260514T130626
CREATED:20250130T200401Z
LAST-MODIFIED:20250331T201811Z
UID:10002574-1751900400-1752253200@ctarttrail.org
SUMMARY:Junior Curator: Summer Session 2
DESCRIPTION:Ages 11 – 13\nMeets at Heckscher WILD! Porch\nMEMBERS ONLY\nThis program provides an overview of basic animal care and experiential learning on Heckscher Farm. The program includes a behind-the-scenes tour of the farm and various hands-on experiences\, such as cleaning and feeding of animals. Upon completion of the program\, each participant will be eligible to become a farm volunteer. Space is limited to 6 participants per session. Held from 3:00 – 5:00 pm each session day.\nSummer Junior Curator programs are open to those who have an SM&NC Family level or higher membership.\nMembers: $190\nJunior Curator: Summer Session 2\nJuly 7 – 11  |   3  – 5 pm\nREGISTER
URL:https://ctarttrail.org/event/junior-curator-summer-session-2-2/
LOCATION:Meets at Heckscher WILD!\, 39 Scofieldtown Rd\, Stamford\, CT\, United States
CATEGORIES:Jr Curator/WILD Keeper,Members Only,Programs & Events
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GEO:41.123632;-73.545409
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250709T090000
DTEND;TZID=America/New_York:20250709T170000
DTSTAMP:20260514T130626
CREATED:20250527T184710Z
LAST-MODIFIED:20250527T184710Z
UID:10005379-1752051600-1752080400@ctarttrail.org
SUMMARY:15th Biennial Miniature Print International Exhibition
DESCRIPTION:15th Biennial Miniature Print International Exhibition \nExhibition Dates: June 1 – August 24\, 2025 \nThe Center for Contemporary Printmaking is delighted to announce the 15th Biennial International Miniature Print Competition and Exhibition. This juried competition and exhibition is limited to original prints that are no bigger than four square inches (25.8 sq cm). The miniature format encourages artists to explore the essence of their work and refine it to the most important details. It also provides an opportunity for artists from around the world to exhibit their work\, and exposes the public to the most current interests of the international printmaking community. Since its inception in 1997\, the competition has attracted diverse entries from thousands of artists across the globe. \nFor 2025\, 416 prints were submitted by 173 artists from 19 countries and 23 states. Juror Ann Shafer selected 89 works by 89 artists from 11 countries and 21 states. \nAWARDS JUROR\nAnn Shafer is an independent curator\, art historian\, and a leading expert on intaglio printmaking by Stanley William Hayter and Atelier 17. Formerly Shafer was associate curator of prints\, drawings\, and photographs at the Baltimore Museum of Art\, where she curated a variety of exhibitions and hosted myriad classes and visitors. She also organized the museum’s Baltimore Contemporary Print Fair in 2012\, 2015\, and 2017\, featuring an international array of twenty presses\, publishers\, and dealers. In April 2022\, she mounted a new\, independent print fair in Baltimore. She hosts the podcast Platemark: prints and the printmaking ecosystem and writes a blog about favorite works of art (annshafer.com). Shafer has a BA from The College of Wooster and a MA from Williams College\, both in art history. In addition to the BMA\, Ann has worked at the Whitney Museum of American Art\, the Williams College Museum of Art\, and the National Gallery of Art.
URL:https://ctarttrail.org/event/15th-biennial-miniature-print-international-exhibition/2025-07-09/
LOCATION:Center for Contemporary Printmaking\, 299 West Avenue\, Norwalk\, CT\, 06850\, United States
CATEGORIES:Events,Exhibition Opening,Exhibitions
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ORGANIZER;CN="Center for Contemporary Printmaking":MAILTO:info@contemprints.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250709T100000
DTEND;TZID=America/New_York:20250709T160000
DTSTAMP:20260514T130626
CREATED:20250423T201701Z
LAST-MODIFIED:20250710T135947Z
UID:10004737-1752055200-1752076800@ctarttrail.org
SUMMARY:Amazing Butterflies Exhibit
DESCRIPTION:Navigate the extraordinary metamorphosis of butterflies through an interactive maze and traveling exhibit in Grace Farms’ indoor Court\, created by The Natural History Museum in London in collaboration with Minotaur Mazes. Adventure through the leaves\, learn how to move like caterpillar\, discover an ant that reaps the reward of an unusual friendship\, then transform into a butterfly and take flight! \nDon’t miss this summer experience! Please note: There are no live butterflies in this exhibit. \nGrace Farms is a celebrated Monarch Waystation\, a place that provides monarch butterflies the resources they need to survive and reproduce. Enjoy additional programming all summer that will enhance your connection to butterflies and other winged wonders\, including summer picnics\, Caterpillar Compass\, Magnifying Small Wonders\, Open Arts Studio\, Walk with Dragonflies\, and Look at Butterfly Life.
URL:https://ctarttrail.org/event/amazing-butterflies-exhibit-2/2025-07-09/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Educational,Exhibitions,Kids and Families
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Amazing-Butterflies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250709T100000
DTEND;TZID=America/New_York:20250709T170000
DTSTAMP:20260514T130626
CREATED:20250305T213303Z
LAST-MODIFIED:20250630T183451Z
UID:10002815-1752055200-1752080400@ctarttrail.org
SUMMARY:On Thin Ice: Alaska’s Warming Wilderness
DESCRIPTION:On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape\, bringing attention to the impact of rising temperatures.
URL:https://ctarttrail.org/event/on-thin-ice-alaskas-warming-wilderness/2025-07-09/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/02/Polar-Bear.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250709T100000
DTEND;TZID=America/New_York:20250709T170000
DTSTAMP:20260514T130626
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004051-1752055200-1752080400@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-07-09/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250709T100000
DTEND;TZID=America/New_York:20250709T170000
DTSTAMP:20260514T130626
CREATED:20250527T184612Z
LAST-MODIFIED:20250630T183702Z
UID:10005613-1752055200-1752080400@ctarttrail.org
SUMMARY:Jeremy Frey: Woven
DESCRIPTION:The first major retrospective of the artist’s work\, Jeremy Frey: Woven presents a comprehensive survey of Frey’s prolific career spanning more than two decades. A seventh-generation Passamaquoddy basket maker and one of the most celebrated Indigenous weavers in the country\, Frey learned traditional Wabanaki weaving techniques from his mother and through apprenticeships at the Maine Indian Basketmakers Alliance. While Frey builds on these cultural foundations in his work\, he also pushes the creative limits of his medium\, producing conceptually ambitious and meticulously crafted baskets that reflect not only his technical skill as a weaver but also his profound ecological knowledge of and connection to the Passamaquoddy ancestral territory of the Northeastern Woodlands. His work relies heavily on natural resources from the region—notably black ash—many of which have come under threat due to climate change and invasive species. Frey’s work takes on new stakes against these looming environmental crises\, celebrating an endangered art form and preserving its legacy for future generations. \nFeaturing over fifty baskets made of raw materials such as sweetgrass\, cedar\, spruce root\, and porcupine quills\, Woven also offers visitors an opportunity to reflect on the cultural agency and resilience embedded in Frey’s practice. Bringing his engagement with new materials and forms to bear on his work across video\, installation\, and print\, Frey seeks to honor his ancestors\, relatives\, and future generations\, weaving together past and present to uplift viewers through the power and beauty of his ever-evolving vision. \nJeremy Frey: Woven is organized by the Portland Museum of Art\, Maine. The exhibition was curated by Ramey Mize\, Associate Curator of American Art\, Portland Museum of Art\, Maine\, and Jamie DeSimone\, Chief Curator at the Farnsworth Art Museum. Penobscot basket maker and founding director of the Maine Indian Basketmakers Alliance Theresa Secord served as a cultural consultant for the exhibition. The presentation at the Bruce Museum is organized by Margarita Karasoulas\, Curator of Art. \nSupport for Jeremy Frey: Woven is generously provided by CT Department of Economic and Community Development\, CT Humanities\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/jeremy-frey-woven/2025-07-09/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Adult,After School,Curatorial,Exhibition Opening,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/05/Frey-2016-Blue-Urchin-00.width-800-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250709T100000
DTEND;TZID=America/New_York:20250709T170000
DTSTAMP:20260514T130626
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005459-1752055200-1752080400@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-07-09/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250709T100000
DTEND;TZID=America/New_York:20250709T170000
DTSTAMP:20260514T130626
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10005922-1752055200-1752080400@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-07-09/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T090000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250527T184710Z
LAST-MODIFIED:20250527T184710Z
UID:10005380-1752138000-1752166800@ctarttrail.org
SUMMARY:15th Biennial Miniature Print International Exhibition
DESCRIPTION:15th Biennial Miniature Print International Exhibition \nExhibition Dates: June 1 – August 24\, 2025 \nThe Center for Contemporary Printmaking is delighted to announce the 15th Biennial International Miniature Print Competition and Exhibition. This juried competition and exhibition is limited to original prints that are no bigger than four square inches (25.8 sq cm). The miniature format encourages artists to explore the essence of their work and refine it to the most important details. It also provides an opportunity for artists from around the world to exhibit their work\, and exposes the public to the most current interests of the international printmaking community. Since its inception in 1997\, the competition has attracted diverse entries from thousands of artists across the globe. \nFor 2025\, 416 prints were submitted by 173 artists from 19 countries and 23 states. Juror Ann Shafer selected 89 works by 89 artists from 11 countries and 21 states. \nAWARDS JUROR\nAnn Shafer is an independent curator\, art historian\, and a leading expert on intaglio printmaking by Stanley William Hayter and Atelier 17. Formerly Shafer was associate curator of prints\, drawings\, and photographs at the Baltimore Museum of Art\, where she curated a variety of exhibitions and hosted myriad classes and visitors. She also organized the museum’s Baltimore Contemporary Print Fair in 2012\, 2015\, and 2017\, featuring an international array of twenty presses\, publishers\, and dealers. In April 2022\, she mounted a new\, independent print fair in Baltimore. She hosts the podcast Platemark: prints and the printmaking ecosystem and writes a blog about favorite works of art (annshafer.com). Shafer has a BA from The College of Wooster and a MA from Williams College\, both in art history. In addition to the BMA\, Ann has worked at the Whitney Museum of American Art\, the Williams College Museum of Art\, and the National Gallery of Art.
URL:https://ctarttrail.org/event/15th-biennial-miniature-print-international-exhibition/2025-07-10/
LOCATION:Center for Contemporary Printmaking\, 299 West Avenue\, Norwalk\, CT\, 06850\, United States
CATEGORIES:Events,Exhibition Opening,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/05/MiniPrint-Postcard-Front-flat-copy.jpg
ORGANIZER;CN="Center for Contemporary Printmaking":MAILTO:info@contemprints.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T100000
DTEND;TZID=America/New_York:20250710T160000
DTSTAMP:20260514T130626
CREATED:20250423T201701Z
LAST-MODIFIED:20250710T135947Z
UID:10004738-1752141600-1752163200@ctarttrail.org
SUMMARY:Amazing Butterflies Exhibit
DESCRIPTION:Navigate the extraordinary metamorphosis of butterflies through an interactive maze and traveling exhibit in Grace Farms’ indoor Court\, created by The Natural History Museum in London in collaboration with Minotaur Mazes. Adventure through the leaves\, learn how to move like caterpillar\, discover an ant that reaps the reward of an unusual friendship\, then transform into a butterfly and take flight! \nDon’t miss this summer experience! Please note: There are no live butterflies in this exhibit. \nGrace Farms is a celebrated Monarch Waystation\, a place that provides monarch butterflies the resources they need to survive and reproduce. Enjoy additional programming all summer that will enhance your connection to butterflies and other winged wonders\, including summer picnics\, Caterpillar Compass\, Magnifying Small Wonders\, Open Arts Studio\, Walk with Dragonflies\, and Look at Butterfly Life.
URL:https://ctarttrail.org/event/amazing-butterflies-exhibit-2/2025-07-10/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Educational,Exhibitions,Kids and Families
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Amazing-Butterflies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T100000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250305T213303Z
LAST-MODIFIED:20250630T183451Z
UID:10002816-1752141600-1752166800@ctarttrail.org
SUMMARY:On Thin Ice: Alaska’s Warming Wilderness
DESCRIPTION:On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape\, bringing attention to the impact of rising temperatures.
URL:https://ctarttrail.org/event/on-thin-ice-alaskas-warming-wilderness/2025-07-10/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/02/Polar-Bear.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T100000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004052-1752141600-1752166800@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-07-10/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T100000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250527T184612Z
LAST-MODIFIED:20250630T183702Z
UID:10005614-1752141600-1752166800@ctarttrail.org
SUMMARY:Jeremy Frey: Woven
DESCRIPTION:The first major retrospective of the artist’s work\, Jeremy Frey: Woven presents a comprehensive survey of Frey’s prolific career spanning more than two decades. A seventh-generation Passamaquoddy basket maker and one of the most celebrated Indigenous weavers in the country\, Frey learned traditional Wabanaki weaving techniques from his mother and through apprenticeships at the Maine Indian Basketmakers Alliance. While Frey builds on these cultural foundations in his work\, he also pushes the creative limits of his medium\, producing conceptually ambitious and meticulously crafted baskets that reflect not only his technical skill as a weaver but also his profound ecological knowledge of and connection to the Passamaquoddy ancestral territory of the Northeastern Woodlands. His work relies heavily on natural resources from the region—notably black ash—many of which have come under threat due to climate change and invasive species. Frey’s work takes on new stakes against these looming environmental crises\, celebrating an endangered art form and preserving its legacy for future generations. \nFeaturing over fifty baskets made of raw materials such as sweetgrass\, cedar\, spruce root\, and porcupine quills\, Woven also offers visitors an opportunity to reflect on the cultural agency and resilience embedded in Frey’s practice. Bringing his engagement with new materials and forms to bear on his work across video\, installation\, and print\, Frey seeks to honor his ancestors\, relatives\, and future generations\, weaving together past and present to uplift viewers through the power and beauty of his ever-evolving vision. \nJeremy Frey: Woven is organized by the Portland Museum of Art\, Maine. The exhibition was curated by Ramey Mize\, Associate Curator of American Art\, Portland Museum of Art\, Maine\, and Jamie DeSimone\, Chief Curator at the Farnsworth Art Museum. Penobscot basket maker and founding director of the Maine Indian Basketmakers Alliance Theresa Secord served as a cultural consultant for the exhibition. The presentation at the Bruce Museum is organized by Margarita Karasoulas\, Curator of Art. \nSupport for Jeremy Frey: Woven is generously provided by CT Department of Economic and Community Development\, CT Humanities\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/jeremy-frey-woven/2025-07-10/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Adult,After School,Curatorial,Exhibition Opening,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/05/Frey-2016-Blue-Urchin-00.width-800-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T100000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005460-1752141600-1752166800@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-07-10/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T100000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10005923-1752141600-1752166800@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-07-10/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T150000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250423T201727Z
LAST-MODIFIED:20250819T182934Z
UID:10004198-1752159600-1752166800@ctarttrail.org
SUMMARY:Open Arts Studio
DESCRIPTION:Drop into the Arts Studio for a facilitated series designed by artists\, curators\, and educators that invites families to play\, create\, and experiment with sensory-rich materials and different modes of artmaking. \nFor ages 4–11 with adult caregivers.
URL:https://ctarttrail.org/event/open-arts-studio/2025-07-10/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Art Classes and Workshops,Children,Family Programs,Kids and Families,Programs & Events,Youth & Family Programs
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/04/2025-Open-Arts-Studio.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T153000
DTEND;TZID=America/New_York:20250710T170000
DTSTAMP:20260514T130626
CREATED:20250423T201711Z
LAST-MODIFIED:20250423T201711Z
UID:10004709-1752161400-1752166800@ctarttrail.org
SUMMARY:Songs of Summer
DESCRIPTION:This July\, Grace Farms is hosting Songs of the Summer\, a new and free performance series taking place on late Thursday afternoons throughout July. \nHeld in the Pavilion with doors open\, these intimate performances feature smaller local acts\, unplugged. The Songs of Summer series invites all ages to experience a moment to pause\, sip iced tea (available for purchase)\, and enjoy lingering summer moments with connection to music\, architecture\, and the landscape. \nThese performances are a drop in\, family-friendly experience for those enjoying an afternoon at Grace Farms.
URL:https://ctarttrail.org/event/songs-of-summer/2025-07-10/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Drop In Program,Family Programs,Kids and Families
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/04/Songs-of-Summer-hero1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250710T173000
DTEND;TZID=UTC:20250710T193000
DTSTAMP:20260514T130626
CREATED:20250530T223334Z
LAST-MODIFIED:20250530T223334Z
UID:10005686-1752168600-1752175800@ctarttrail.org
SUMMARY:Hill-Stead Short Course - Impressionism: French Origins\, American Afterlives
DESCRIPTION:REGISTER\nThursday\, July 10\, 2025 at 6pm – Morisot\, Henri\, and Portraiture\nFew chapters in the history of modern art are more loved and revered\, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now\, more than 150 years after the first impressionist exhibition in Paris in 1874\, the scholarship concerning this style of painting is so extensive that it is difficult to summarize. This short course of 6 lectures confronts this daunting situation head on by breaking impressionism down into key artists and themes central to the movement\, focusing specifically on its original practitioners in France and those who later adopted the style in the United States. By analyzing the work of a celebrated French master like Edgar Degas alongside that of his American follower Everett Shinn\, for instance\, or the paintings of Pierre-Auguste Renoir in conjunction with those of William Glackens\, the transatlantic ramifications of impressionism and the enduring power of Hill-Stead’s collection are clarified.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A. The sessions at 6pm will begin with wine and cheese at 5:30pm. The sessions at 3pm will begin with coffee and goodies at 2:30pm.\nSchedule (Summer 2025): (Every other Thursday\, alternating at 6pm or 3pm at Hill-Stead)\nJune 12\, 2025 at 6pm – Manet\, Sloan\, and Critique\nJune 26\, 2025 at 3pm – Renoir\, Glackens\, and Leisure\nJuly 10\, 2025 at 6pm – Morisot\, Henri\, and Portraiture\nJuly 24\, 2025 at 3pm – Monet\, Hassam\, and Light\nAugust 7\, 2025 at 6pm – Degas\, Shinn\, and Spectacle\nAugust 21\, 2025 at 3pm – Cassatt\, Bellows\, and Gender
URL:https://ctarttrail.org/event/hill-stead-short-course-impressionism-french-origins-american-afterlives-10/
LOCATION:Hill-Stead Museum\, 35 Mountain Rd\, Farmington\, CT\, United States
CATEGORIES:Adults,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/05/Slide3-5ZvsHY.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250710T180000
DTEND;TZID=UTC:20250710T193000
DTSTAMP:20260514T130626
CREATED:20250629T223300Z
LAST-MODIFIED:20250629T223300Z
UID:10005831-1752170400-1752175800@ctarttrail.org
SUMMARY:Hill-Stead Short Course - Impressionism: French Origins\, American Afterlives
DESCRIPTION:REGISTER\nThursday\, July 10\, 2025 at 6pm – Morisot\, Henri\, and Portraiture\nFew chapters in the history of modern art are more loved and revered\, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now\, more than 150 years after the first impressionist exhibition in Paris in 1874\, the scholarship concerning this style of painting is so extensive that it is difficult to summarize. This short course of 6 lectures confronts this daunting situation head on by breaking impressionism down into key artists and themes central to the movement\, focusing specifically on its original practitioners in France and those who later adopted the style in the United States. By analyzing the work of a celebrated French master like Edgar Degas alongside that of his American follower Everett Shinn\, for instance\, or the paintings of Pierre-Auguste Renoir in conjunction with those of William Glackens\, the transatlantic ramifications of impressionism and the enduring power of Hill-Stead’s collection are clarified.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A. Light refreshments may be served.\nTickets\nSingle Lecture: $30 members; $35 non-members\nFull Course: $180 members; $210 non-members\nSchedule (Summer 2025): (Every other Thursday\, alternating at 6pm or 3pm at Hill-Stead)\nJune 12\, 2025 at 6pm – Manet\, Sloan\, and Critique\nJune 26\, 2025 at 3pm – Renoir\, Glackens\, and Leisure\nJuly 10\, 2025 at 6pm – Morisot\, Henri\, and Portraiture\nJuly 24\, 2025 at 3pm – Monet\, Hassam\, and Light\nAugust 7\, 2025 at 6pm – Degas\, Shinn\, and Spectacle\nAugust 21\, 2025 at 3pm – Cassatt\, Bellows\, and Gender
URL:https://ctarttrail.org/event/hill-stead-short-course-impressionism-french-origins-american-afterlives-14/
LOCATION:Hill-Stead Museum\, 35 Mountain Rd\, Farmington\, CT\, United States
CATEGORIES:Adults,Educational,Lectures,Public Programs
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/05/Slide3-5ZvsHY.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hill-Stead Museum 35 Mountain Rd Farmington CT United States;X-APPLE-RADIUS=500;X-TITLE=35 Mountain Rd:geo:-72.824691,41.719622
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250710T180000
DTEND;TZID=UTC:20250710T193000
DTSTAMP:20260514T130626
CREATED:20250629T223300Z
LAST-MODIFIED:20250629T223300Z
UID:10005835-1752170400-1752175800@ctarttrail.org
SUMMARY:Hill-Stead Short Course - Impressionism: French Origins\, American Afterlives
DESCRIPTION:REGISTER\nThursday\, July 10\, 2025 at 6pm – Morisot\, Henri\, and Portraiture\nFew chapters in the history of modern art are more loved and revered\, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now\, more than 150 years after the first impressionist exhibition in Paris in 1874\, the scholarship concerning this style of painting is so extensive that it is difficult to summarize. This short course of 6 lectures confronts this daunting situation head on by breaking impressionism down into key artists and themes central to the movement\, focusing specifically on its original practitioners in France and those who later adopted the style in the United States. By analyzing the work of a celebrated French master like Edgar Degas alongside that of his American follower Everett Shinn\, for instance\, or the paintings of Pierre-Auguste Renoir in conjunction with those of William Glackens\, the transatlantic ramifications of impressionism and the enduring power of Hill-Stead’s collection are clarified.\nNo previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading\, however\, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A. Light refreshments may be served.\nTickets\nSingle Lecture: $30 members; $35 non-members\nFull Course: $180 members; $210 non-members\nSchedule (Summer 2025): (Every other Thursday\, alternating at 6pm or 3pm at Hill-Stead)\nJune 12\, 2025 at 6pm – Manet\, Sloan\, and Critique\nJune 26\, 2025 at 3pm – Renoir\, Glackens\, and Leisure\nJuly 10\, 2025 at 6pm – Morisot\, Henri\, and Portraiture\nJuly 24\, 2025 at 3pm – Monet\, Hassam\, and Light\nAugust 7\, 2025 at 6pm – Degas\, Shinn\, and Spectacle\nAugust 21\, 2025 at 3pm – Cassatt\, Bellows\, and Gender
URL:https://ctarttrail.org/event/hill-stead-short-course-impressionism-french-origins-american-afterlives-15/
LOCATION:Hill-Stead Museum\, 35 Mountain Rd\, Farmington\, CT\, United States
CATEGORIES:Adults,Educational,Lectures,Public Programs
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T180000
DTEND;TZID=America/New_York:20250710T193000
DTSTAMP:20260514T130626
CREATED:20250701T050352Z
LAST-MODIFIED:20250701T050352Z
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SUMMARY:NVCC Summer Cabaret
DESCRIPTION:The students of CT State Naugatuck Valley will be bringing the magic of Broadway with them as they share songs and scenes from various beloved musicals. Under the direction of Professor Gil Harel\, this summer theater troupe has performed all over the northeast\, at venues in New York\, Connecticut\, Massachusetts\, and New Jersey. With a classic cabaret performance\, their dynamic and well-rehearsed acts have been a hit with audiences of all listening backgrounds.\nNon- Member: $15\nMember: $10\nRegister Here\nSponsored by Linford & Mildred White Charitable Fund
URL:https://ctarttrail.org/event/nvcc-summer-cabaret/
LOCATION:Mattatuck Museum\, 144 W Main St\, Waterbury\, CT\, United States
CATEGORIES:Music,Performance,Youth & Family Programs
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T090000
DTEND;TZID=America/New_York:20250711T170000
DTSTAMP:20260514T130626
CREATED:20250527T184710Z
LAST-MODIFIED:20250527T184710Z
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SUMMARY:15th Biennial Miniature Print International Exhibition
DESCRIPTION:15th Biennial Miniature Print International Exhibition \nExhibition Dates: June 1 – August 24\, 2025 \nThe Center for Contemporary Printmaking is delighted to announce the 15th Biennial International Miniature Print Competition and Exhibition. This juried competition and exhibition is limited to original prints that are no bigger than four square inches (25.8 sq cm). The miniature format encourages artists to explore the essence of their work and refine it to the most important details. It also provides an opportunity for artists from around the world to exhibit their work\, and exposes the public to the most current interests of the international printmaking community. Since its inception in 1997\, the competition has attracted diverse entries from thousands of artists across the globe. \nFor 2025\, 416 prints were submitted by 173 artists from 19 countries and 23 states. Juror Ann Shafer selected 89 works by 89 artists from 11 countries and 21 states. \nAWARDS JUROR\nAnn Shafer is an independent curator\, art historian\, and a leading expert on intaglio printmaking by Stanley William Hayter and Atelier 17. Formerly Shafer was associate curator of prints\, drawings\, and photographs at the Baltimore Museum of Art\, where she curated a variety of exhibitions and hosted myriad classes and visitors. She also organized the museum’s Baltimore Contemporary Print Fair in 2012\, 2015\, and 2017\, featuring an international array of twenty presses\, publishers\, and dealers. In April 2022\, she mounted a new\, independent print fair in Baltimore. She hosts the podcast Platemark: prints and the printmaking ecosystem and writes a blog about favorite works of art (annshafer.com). Shafer has a BA from The College of Wooster and a MA from Williams College\, both in art history. In addition to the BMA\, Ann has worked at the Whitney Museum of American Art\, the Williams College Museum of Art\, and the National Gallery of Art.
URL:https://ctarttrail.org/event/15th-biennial-miniature-print-international-exhibition/2025-07-11/
LOCATION:Center for Contemporary Printmaking\, 299 West Avenue\, Norwalk\, CT\, 06850\, United States
CATEGORIES:Events,Exhibition Opening,Exhibitions
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DTSTART;TZID=America/New_York:20250711T100000
DTEND;TZID=America/New_York:20250711T160000
DTSTAMP:20260514T130626
CREATED:20250423T201701Z
LAST-MODIFIED:20250710T135947Z
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SUMMARY:Amazing Butterflies Exhibit
DESCRIPTION:Navigate the extraordinary metamorphosis of butterflies through an interactive maze and traveling exhibit in Grace Farms’ indoor Court\, created by The Natural History Museum in London in collaboration with Minotaur Mazes. Adventure through the leaves\, learn how to move like caterpillar\, discover an ant that reaps the reward of an unusual friendship\, then transform into a butterfly and take flight! \nDon’t miss this summer experience! Please note: There are no live butterflies in this exhibit. \nGrace Farms is a celebrated Monarch Waystation\, a place that provides monarch butterflies the resources they need to survive and reproduce. Enjoy additional programming all summer that will enhance your connection to butterflies and other winged wonders\, including summer picnics\, Caterpillar Compass\, Magnifying Small Wonders\, Open Arts Studio\, Walk with Dragonflies\, and Look at Butterfly Life.
URL:https://ctarttrail.org/event/amazing-butterflies-exhibit-2/2025-07-11/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Educational,Exhibitions,Kids and Families
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T100000
DTEND;TZID=America/New_York:20250711T170000
DTSTAMP:20260514T130626
CREATED:20250305T213303Z
LAST-MODIFIED:20250630T183451Z
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SUMMARY:On Thin Ice: Alaska’s Warming Wilderness
DESCRIPTION:On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape\, bringing attention to the impact of rising temperatures.
URL:https://ctarttrail.org/event/on-thin-ice-alaskas-warming-wilderness/2025-07-11/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
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