“Getting” Contemporary Art
Tuesdays, November 4, 11, and 18 | 5:30 to 6:30pm Individual Class: $49 Member; $55 | Full Three Class Series: $108 Member; $120 | Limited seats available “Getting” Contemporary Art is an interactive class series designed to connect today’s exhibitions with the deeper currents of art history. Each session explores the art historical and cultural contexts of artists currently on view at The Aldrich, blending storytelling, close looking, and discussion to help participants uncover new ways of seeing contemporary art.…
when
November 18, 2025 @ 5:30 pm - 6:30 pm
where
about
Tuesdays, November 4, 11, and 18 | 5:30 to 6:30pm
Individual Class: $49 Member; $55 | Full Three Class Series: $108 Member; $120 | Limited seats available
“Getting” Contemporary Art is an interactive class series designed to connect today’s exhibitions with the deeper currents of art history. Each session explores the art historical and cultural contexts of artists currently on view at The Aldrich, blending storytelling, close looking, and discussion to help participants uncover new ways of seeing contemporary art. No prior experience with art history is required, only curiosity and a willingness to dive in.
“Getting” Contemporary Art is led by Kristen Erickson, art history teacher and Director of the Luchsinger Gallery at Greenwich Academy.
Attend all three classes or a single class!
Classes
Tuesday, November 4 – Nickola Pottinger: Jamaica, Memory, and Folklore
This class delves into the history and folklore of Jamaica to better understand Nickola Pottinger’s shape-shifting sculptures. Through a gallery walk, participants will examine the mix of spiritual and personal symbols in her works, which include casts of her own body and family heirlooms. Group discussion will encourage participants to uncover the layers of meaning carried by these spectral figures, which merge ancestral traditions with contemporary stories.
Tuesday, November 11 – Zak Prekop: Music in Abstraction
Have you heard of Song Exploder, the podcast where musicians take apart their songs piece by piece? In this class, participants will “explode” the vibrant abstract paintings of Zak Prekop. The session will focus on how he creates a sense of movement and stillness through color relationships, while also considering art historical precedents such as the “action painting” of the 1950s. Participants will further explore Prekop’s musical influences and how rhythm and harmony appear in his painting practice.
Tuesday, November 18 – Uman: Textiles, Calligraphy, and Transformation
Uman’s kaleidoscopic paintings reflect the story of her extraordinary life. She grew up in Somalia and Kenya, spent her teen years in Denmark, and traveled to Vienna and Paris before moving to New York where her artistic vision blossomed. This class will introduce participants to the art histories that shaped her, including East African textiles, Arabic calligraphy, and the work of Gustav Klimt and Sam Gilliam. During a gallery walk, participants will consider how Uman captures her memories, dreams, and personal transformation in visionary paintings that celebrate survival and creativity.
Instructor Bio
Kristen Erickson has been teaching art history and curating exhibitions for the past three decades. She spent eight years working in the curatorial field at the Ashmolean Museum in Oxford, the Smith College Museum of Art, and the Museum of Modern Art before turning to teaching. Kristen currently teaches art history at Greenwich Academy, where she also runs the campus art gallery. She holds degrees in French and art history from Vassar College and Oxford University. A resident of Ridgefield, Kristen loves making contemporary art come alive for new audiences.