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Hill-Stead Museum’s Annual Meeting 2024

REGISTER Join us for Hill-Stead Museum’s 2024 Annual Meeting The Annual Meeting is our opportunity to come together to recognize our dedicated team of volunteers and staff and reflect on the past year’s growth and accomplishments. Afterward, everyone is invited to join us for refreshments on our beautiful Garmany terrace. If you are able to join us in person, we ask that you please register.

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when

September 17, 2024 @ 5:00 pm - 7:00 pm

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REGISTER
Join us for Hill-Stead Museum’s 2024 Annual Meeting
The Annual Meeting is our opportunity to come together to recognize our dedicated team of volunteers and staff and reflect on the past year’s growth and accomplishments. Afterward, everyone is invited to join us for refreshments on our beautiful Garmany terrace.
If you are able to join us in person, we ask that you please register.

Event Website Add to Calendar

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All In This Together: Highlights from our Printmaking Programs

All In This Together: Highlights from our Printmaking Programs Exhibition Dates: March 4-30, 2025 Over the past 12 months, the Center for Contemporary Printmaking has facilitated the printmaking projects of dozens of artists. We’ve hosted Artists-in-Residence, conducted collaboration and editioning services, offered workshops across a spectrum of printmaking processes, and mentored high school students through our Grace Ross Shanley Fellowship Program. Our March 2025 Exhibition highlights some of the prints that have been produced at CCP through our suite of…

Center for Contemporary Printmaking

Kenji Nakahashi: Strange Beauty

Best known for his conceptual and street photography, Kenji Nakahashi (Japanese, 1947–2017) produced a highly experimental body of work grounded in the everyday. Image: Kenji Nakahashi (Japanese, 1947–2017) Time–B, 1980 (printed 1985) Gelatin silver print, 11 x 14 in. Bruce Museum, Anonymous gift in memory of Kenji Nakahashi, 2022.01.33 © Center for Creative Photography, Arizona Board of Regents

Bruce Museum

Blanche Lazzell: Becoming an American Modernist

The first monographic exhibition of her work in nearly two decades, Blanche Lazzell: Becoming an American Modernist traces the artist’s pioneering approaches to abstraction in the United States. Image: Blanche Lazzell (American, 1878–1956) Church Around the Corner, 1949 Oil on canvas, 28 x 36 3/16 in. Art Museum of West Virginia University Collection, acquired through Frances Sellers © Estate of Blanche Lazzell

Bruce Museum

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