Loading Events

Hill-Stead Short Course – Impressionism: French Origins, American Afterlives

REGISTER Description: Few chapters in the history of modern art are more loved and revered, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now, more than 150 years after the first impressionist exhibition in Paris in 1874, the scholarship concerning this style of painting is so extensive that…

when

February 20, 2025 @ 5:30 pm - 7:00 pm

where

See event website for details.

about

REGISTER
Description:
Few chapters in the history of modern art are more loved and revered, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now, more than 150 years after the first impressionist exhibition in Paris in 1874, the scholarship concerning this style of painting is so extensive that it is difficult to summarize. This short course of 6 lectures confronts this daunting situation head on by breaking impressionism down into key artists and themes central to the movement, focusing specifically on its original practitioners in France and those who later adopted the style in the United States. By analyzing the work of a celebrated French master like Edgar Degas alongside that of his American follower Everett Shinn, for instance, or the paintings of Pierre-Auguste Renoir in conjunction with those of William Glackens, the transatlantic ramifications of impressionism and the enduring power of Hill-Stead’s collection are clarified.
No previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading, however, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.
Schedule (Spring 2025): (Every other Thursday at 5:30PM at Hill-Stead)
20 Feb 2025 – Manet, Sloan, and Critique
06 Mar 2025 – Renoir, Glackens, and Leisure
20 Mar 2025 – Morisot, Henri, and Portraiture
03 Apr 2025 – Monet, Hassam, and Light
17 Apr 2025 – Degas, Shinn, and Spectacle
01 May 2025 – Cassatt, Bellows, and Gender

join us:

The Art of Work: Painting Labor in Nineteenth-Century Denmark

One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen, Denmark, a fishing village located on the country’s northernmost point. As with the exhibition in Paris, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes, subjects, and locales…

Bruce Museum

iCreate 2025: Annual Juried Exhibition of High School Talent

The Bruce Museum proudly presents iCreate 2025, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut, New Jersey, and New York. Major support for iCreate 2025 is generously provided by an anonymous donor, with additional support from the CT Department of Economic and…

Bruce Museum

Monuments: Commemoration and Controversy

Monuments: Commemoration and Controversy (organized by The New York Historical) explores monuments and their representations in public spaces as flashpoints of fierce debate over national identity, politics, and race that have raged for centuries. Offering a historical foundation for understanding today’s controversies, the exhibition features fragments of a statue of King George III torn down by American Revolutionaries, a souvenir replica of a bulldozed monument by Harlem Renaissance sculptor Augusta Savage, and a maquette of New York City’s first public…

Bellermine Hall – Fairfield University

follow us: