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Hill-Stead Short Course – Impressionism: French Origins, American Afterlives

REGISTER Description: Few chapters in the history of modern art are more loved and revered, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now, more than 150 years after the first impressionist exhibition in Paris in 1874, the scholarship concerning this style of painting is so extensive that…

when

April 17, 2025 @ 5:30 pm - 7:00 pm

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See event website for details.

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REGISTER
Description:
Few chapters in the history of modern art are more loved and revered, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now, more than 150 years after the first impressionist exhibition in Paris in 1874, the scholarship concerning this style of painting is so extensive that it is difficult to summarize. This short course of 6 lectures confronts this daunting situation head on by breaking impressionism down into key artists and themes central to the movement, focusing specifically on its original practitioners in France and those who later adopted the style in the United States. By analyzing the work of a celebrated French master like Edgar Degas alongside that of his American follower Everett Shinn, for instance, or the paintings of Pierre-Auguste Renoir in conjunction with those of William Glackens, the transatlantic ramifications of impressionism and the enduring power of Hill-Stead’s collection are clarified.
No previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading, however, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A and informal wine reception.
Schedule (Spring 2025): (Every other Thursday at 5:30PM at Hill-Stead)
20 Feb 2025 – Manet, Sloan, and Critique
06 Mar 2025 – Renoir, Glackens, and Leisure
20 Mar 2025 – Morisot, Henri, and Portraiture
03 Apr 2025 – Monet, Hassam, and Light
17 Apr 2025 – Degas, Shinn, and Spectacle
01 May 2025 – Cassatt, Bellows, and Gender

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American Mural Project Extends Its Family-Day Programming To Weekends throughout September

The American Mural Project (AMP) has extended its Family Day programming to weekends through September 29. Families can now participate in art activities any time during open hours. All art activities are included with admission. This month’s activities include Making Art with Fire: Fire Tiles and making Fire Prevention posters. Fourth and fifth graders can enter their posters in the statewide CT Fire Prevention Poster Recognition Program.  For more information: https://www.americanmuralproject.org/family-days

American Mural Project

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Bruce Museum

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The first monographic exhibition of her work in nearly two decades, Blanche Lazzell: Becoming an American Modernist traces the artist’s pioneering approaches to abstraction in the United States. Image: Blanche Lazzell (American, 1878–1956) Church Around the Corner, 1949 Oil on canvas, 28 x 36 3/16 in. Art Museum of West Virginia University Collection, acquired through Frances Sellers © Estate of Blanche Lazzell

Bruce Museum

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