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Into the Woods with Edvard Munch and Ernst Ludwig Kirchner

Landscapes loom large in the work of both Edvard Munch (1863–1944) and Ernst Ludwig Kirchner (1880–1938). Munch returned again and again to the curving shoreline of the Oslofjord, the forests of his native Norway, his garden at Ekely, and the coastal village of Warnemünde, where he sought water cures and rest. The natural world also provided physical and psychological respite for Kirchner, who received treatment in the mountains northeast of Frankfurt, then in Kreuzlingen on Lake Constance, before settling in…

when

March 27, 2024 @ 12:30 pm - 1:30 pm

where

1111 Chapel St
New Haven, CT 06510 United States

about

Landscapes loom large in the work of both Edvard Munch (1863–1944) and Ernst Ludwig Kirchner (1880–1938). Munch returned again and again to the curving shoreline of the Oslofjord, the forests of his native Norway, his garden at Ekely, and the coastal village of Warnemünde, where he sought water cures and rest. The natural world also provided physical and psychological respite for Kirchner, who received treatment in the mountains northeast of Frankfurt, then in Kreuzlingen on Lake Constance, before settling in the well-known resort town of Davos, Switzerland. The landscapes to which the artists looked are spaces of melancholy, loneliness, and physical separation but also of healing, interconnectedness, and vitality. Join Freyda Spira, the Robert L. Solley Curator of Prints and Drawings, for an examination of the wooded landscapes of these Expressionists. Offered in conjunction with the exhibition Munch and Kirchner: Anxiety and Expression. Generously sponsored by the Martin A. Ryerson Lectureship Fund.

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15th Biennial Miniature Print International Exhibition

15th Biennial Miniature Print International Exhibition Exhibition Dates: June 1 – August 24, 2025 The Center for Contemporary Printmaking is delighted to announce the 15th Biennial International Miniature Print Competition and Exhibition. This juried competition and exhibition is limited to original prints that are no bigger than four square inches (25.8 sq cm). The miniature format encourages artists to explore the essence of their work and refine it to the most important details. It also provides an opportunity for artists…

Center for Contemporary Printmaking

On Thin Ice: Alaska’s Warming Wilderness

On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape, bringing attention to the impact of rising temperatures.

Bruce Museum

Isamu Noguchi: Metal the Mirror

“Here is where finally opposites come together, I see a surprising purity. Stone is the depth, metal the mirror. They do not conflict…” —Isamu Noguchi While the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83.…

Bruce Museum

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