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DTSTART;TZID=America/New_York:20250101T100000
DTEND;TZID=America/New_York:20251231T170000
DTSTAMP:20250408T140817Z
CREATED:20250408T140817Z
LAST-MODIFIED:20250408T140817Z
UID:10003954-1735725600-1767200400@ctarttrail.org
SUMMARY:Adopt-a-Horse 2025
DESCRIPTION:Support for the collection helps us tell the stories that we share with our community and visitors every day\, and we could not do it without you! When you adopt one of the 50 animals up for adoption in 2025\, you are directly supporting our efforts to fulfill our mission: The Carousel Museum is a non-profit organization that preserves and exhibits antique and modern carousel art\, and celebrates dedicated craftsmen\, to inspire creativity\, joy\, and wonder. \nWith your adoption you get:\nTo name your animal for the 2025 calendar year!\nA plaque recognizing your contribution in the gallery.\nAn official “Adoption Certificate.”\n1-year Family Membership (12 months from the time of adoption)\nLimited Edition 2025 Adoption Pin!\nFREE General admission to The Carousel Museum all year long! \nEvent Details\nDate: 2025\nTime: Online\nLocation: The Carousel Museum\, 95 Riverside Ave\, Bristol\, CT 06010
URL:https://ctarttrail.org/event/adopt-a-horse-2025/
LOCATION:The Carousel Museum\, 95 Riverside Ave\, Bristol\, CT 06010\, CT\, 06010\, United States
CATEGORIES:Adults,Animals for All,Children
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Available-Adopt-a-Horse-Stamp-2025-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251001
DTEND;VALUE=DATE:20260615
DTSTAMP:20260402T201126Z
CREATED:20260402T201126Z
LAST-MODIFIED:20260402T201126Z
UID:10007603-1759276800-1781481599@ctarttrail.org
SUMMARY:The Cold War-Era US Embassy Program & Modern New Canaan
DESCRIPTION:This exhibition highlights the midcentury embassies built in The Hague and in Dublin by architects Marcel Breuer and John Johansen respectively.  \nThe exhibition examines how the architects’ early experimentations in domestic architecture informed and inspired the modern language they later brought to their embassies.  \nOpening Days and Hours: Wednesday through Saturday\, 12 PM to 5 PM  \nOnera Foundation\n63 Park Street\nNew Canaan\, CT 06840
URL:https://ctarttrail.org/event/the-cold-war-era-us-embassy-program-modern-new-canaan/
LOCATION:The Onera Foundation\, 63 Park St\, New Canaan\, CT\, 06840
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2026/03/Onera-Foundation_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251001
DTEND;VALUE=DATE:20260615
DTSTAMP:20260402T201134Z
CREATED:20260402T201134Z
LAST-MODIFIED:20260402T201134Z
UID:10007602-1759276800-1781481599@ctarttrail.org
SUMMARY:Treaties on De-Fences by Jorge Otero-Pailos
DESCRIPTION:On view through June 13\, 2026 \nOnera Foundation’s inaugural exhibition Treaties on De-Fences by Jorge Otero-Pailos\, explores the preservation of the Eero Saarinen-designed Cold War-era US Embassy in Oslo\, Norway.   \nCurated and produced by the Onera Foundation in close coordination with Otero-Pailos Studio and the National Museum of American Diplomacy\, Treaties on De-Fences  spans five galleries across the first two floors of 63 Park Street.  \nOpening Days and Hour: Wednesday through Saturday\, 12 PM to 5 PM. \nOnera Foundation \n63 Park Street\, New Canaan\, CT
URL:https://ctarttrail.org/event/treaties-on-de-fences-by-jorge-otero-pailos/
LOCATION:The Onera Foundation\, 63 Park St\, New Canaan\, CT\, 06840
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2026/03/Onera-Foundation_1-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T100000
DTEND;TZID=America/New_York:20251028T170000
DTSTAMP:20250630T183639Z
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004146-1761645600-1761670800@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-28/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T100000
DTEND;TZID=America/New_York:20251028T170000
DTSTAMP:20250630T183753Z
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005554-1761645600-1761670800@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-28/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T100000
DTEND;TZID=America/New_York:20251028T170000
DTSTAMP:20250717T154037Z
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006024-1761645600-1761670800@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-28/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T090000
DTEND;TZID=America/New_York:20251029T100000
DTSTAMP:20251029T050253Z
CREATED:20251029T050252Z
LAST-MODIFIED:20251029T050253Z
UID:10006948-1761728400-1761732000@ctarttrail.org
SUMMARY:Tai Chi
DESCRIPTION:Improve your energy and stamina as you move to the music with certified Tai Chi instructor Matt Dempsey. Matt will teach gentle movements that improve balance\, flexibility\, and mobility and reduce stiffness and soreness. Wear comfortable clothes. All levels welcome!\nFREE\nRegister Here\nSponsored by the Connecticut Community Foundation
URL:https://ctarttrail.org/event/tai-chi-15/
LOCATION:Mattatuck Museum\, 144 W Main St\, Waterbury\, CT\, United States
CATEGORIES:Wellness
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/tai-chi-2-Csdz3T.jpg
GEO:41.556639;-73.043483
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mattatuck Museum 144 W Main St Waterbury CT United States;X-APPLE-RADIUS=500;X-TITLE=144 W Main St:geo:-73.043483,41.556639
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T093000
DTEND;TZID=America/New_York:20251029T110000
DTSTAMP:20251029T050253Z
CREATED:20251029T050253Z
LAST-MODIFIED:20251029T050253Z
UID:10006946-1761730200-1761735600@ctarttrail.org
SUMMARY:Senior Mornings
DESCRIPTION:Senior Mornings: every Wednesday between 9:30-11:00 AM\nEnjoy the Museum’s collection and special changing exhibitions in a quiet and comfortable environment before the Museum opens.
URL:https://ctarttrail.org/event/senior-mornings/
LOCATION:Mattatuck Museum\, 144 W Main St\, Waterbury\, CT\, United States
CATEGORIES:Admissions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/senior-mornings-EeoE2z.jpg
GEO:41.556639;-73.043483
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T093000
DTEND;TZID=America/New_York:20251029T110000
DTSTAMP:20251029T050254Z
CREATED:20251029T050254Z
LAST-MODIFIED:20251029T050254Z
UID:10006949-1761730200-1761735600@ctarttrail.org
SUMMARY:Senior Mornings
DESCRIPTION:Senior Mornings: every Wednesday between 9:30-11:00 AM\nEnjoy the Museum’s collection and special changing exhibitions in a quiet and comfortable environment before the Museum opens.
URL:https://ctarttrail.org/event/senior-mornings-2/
LOCATION:Mattatuck Museum\, 144 W Main St\, Waterbury\, CT\, United States
CATEGORIES:Admissions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/senior-mornings-4GMFLV.jpg
GEO:41.556639;-73.043483
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mattatuck Museum 144 W Main St Waterbury CT United States;X-APPLE-RADIUS=500;X-TITLE=144 W Main St:geo:-73.043483,41.556639
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T100000
DTEND;TZID=America/New_York:20251029T170000
DTSTAMP:20250630T183639Z
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004147-1761732000-1761757200@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-29/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T100000
DTEND;TZID=America/New_York:20251029T170000
DTSTAMP:20250630T183753Z
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005555-1761732000-1761757200@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-29/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T100000
DTEND;TZID=America/New_York:20251029T170000
DTSTAMP:20250717T154037Z
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006025-1761732000-1761757200@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-29/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T100000
DTEND;TZID=America/New_York:20251030T170000
DTSTAMP:20250630T183639Z
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004148-1761818400-1761843600@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-30/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T100000
DTEND;TZID=America/New_York:20251030T170000
DTSTAMP:20250630T183753Z
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005556-1761818400-1761843600@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-30/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T100000
DTEND;TZID=America/New_York:20251030T170000
DTSTAMP:20250717T154037Z
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006026-1761818400-1761843600@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-30/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251030T143000
DTEND;TZID=UTC:20251030T153000
DTSTAMP:20250729T223858Z
CREATED:20250430T223315Z
LAST-MODIFIED:20250729T223858Z
UID:10004980-1761834600-1761838200@ctarttrail.org
SUMMARY:Special Themed Tour: Paintings
DESCRIPTION:REGISTER HERE\nSpecial Tour: Hill-Stead’s Impressionist Paintings\nLimit 10 people\nOffered June 25 and October 30 at 2:30PM\nOn this special tour\, visitors are offered the opportunity to take their time with Hill-Stead’s Impressionist masterpieces—including works by Monet\, Degas\, Manet\, Cassatt\, and Whistler—and to think deeply about how these canvases relate to the Pope family’s larger collection and to famous narratives from the history of art. The biographies of the artworks that are so central to Hill-Stead’s story\, rather than the biographies of the people who established the museum\, become the focus.  This allows the tour to attend more closely to the art that makes Hill-Stead a celebrated destination and for visitors to engage with the collection in a way that complements the museum’s other tour offerings.\nNote: This tour is limited to the first floor of the historic house.\nTickets\n$20 Members\n$24 Non-Members\nRegister here
URL:https://ctarttrail.org/event/special-themed-tour-paintings-3/
LOCATION:Hill-Stead Museum\, 35 Mountain Rd\, Farmington\, CT\, United States
CATEGORIES:Adults,Educational,Special Themes
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Drawing-Room-with-3-Monets-scaled-TmqI6T.jpg
GEO:41.719622;-72.824691
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hill-Stead Museum 35 Mountain Rd Farmington CT United States;X-APPLE-RADIUS=500;X-TITLE=35 Mountain Rd:geo:-72.824691,41.719622
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T143000
DTEND;TZID=America/New_York:20251030T153000
DTSTAMP:20251027T224802Z
CREATED:20250828T224803Z
LAST-MODIFIED:20251027T224802Z
UID:10006474-1761834600-1761838200@ctarttrail.org
SUMMARY:Special Themed Tour: Paintings
DESCRIPTION:REGISTER HERE\nSpecial Tour: Hill-Stead’s Impressionist Paintings\nLimit 10 people\nOffered June 25 and October 30 at 2:30PM\nOn this special tour\, visitors are offered the opportunity to take their time with Hill-Stead’s Impressionist masterpieces—including works by Monet\, Degas\, Manet\, Cassatt\, and Whistler—and to think deeply about how these canvases relate to the Pope family’s larger collection and to famous narratives from the history of art. The biographies of the artworks that are so central to Hill-Stead’s story\, rather than the biographies of the people who established the museum\, become the focus.  This allows the tour to attend more closely to the art that makes Hill-Stead a celebrated destination and for visitors to engage with the collection in a way that complements the museum’s other tour offerings.\nNote: This tour is limited to the first floor of the historic house.\nTickets\n$20 Members\n$24 Non-Members\nRegister here
URL:https://ctarttrail.org/event/special-themed-tour-paintings-5/
LOCATION:Hill-Stead Museum\, 35 Mountain Rd\, Farmington\, CT\, United States
CATEGORIES:Adults,Educational,Special Themes
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Drawing-Room-with-3-Monets-scaled-TmqI6T.jpg
GEO:41.719622;-72.824691
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hill-Stead Museum 35 Mountain Rd Farmington CT United States;X-APPLE-RADIUS=500;X-TITLE=35 Mountain Rd:geo:-72.824691,41.719622
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T143000
DTEND;TZID=America/New_York:20251030T153000
DTSTAMP:20250828T224803Z
CREATED:20250828T224803Z
LAST-MODIFIED:20250828T224803Z
UID:10006475-1761834600-1761838200@ctarttrail.org
SUMMARY:Special Themed Tour: Paintings
DESCRIPTION:REGISTER HERE\nSpecial Tour: Hill-Stead’s Impressionist Paintings\nLimit 10 people\nOffered June 25 and October 30 at 2:30PM\nOn this special tour\, visitors are offered the opportunity to take their time with Hill-Stead’s Impressionist masterpieces—including works by Monet\, Degas\, Manet\, Cassatt\, and Whistler—and to think deeply about how these canvases relate to the Pope family’s larger collection and to famous narratives from the history of art. The biographies of the artworks that are so central to Hill-Stead’s story\, rather than the biographies of the people who established the museum\, become the focus.  This allows the tour to attend more closely to the art that makes Hill-Stead a celebrated destination and for visitors to engage with the collection in a way that complements the museum’s other tour offerings.\nNote: This tour is limited to the first floor of the historic house.\nTickets\n$20 Members\n$24 Non-Members\nRegister here
URL:https://ctarttrail.org/event/special-themed-tour-paintings-6/
LOCATION:Hill-Stead Museum\, 35 Mountain Rd\, Farmington\, CT\, United States
CATEGORIES:Adults,Educational,Special Themes
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Drawing-Room-with-3-Monets-scaled-TmqI6T.jpg
GEO:41.719622;-72.824691
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hill-Stead Museum 35 Mountain Rd Farmington CT United States;X-APPLE-RADIUS=500;X-TITLE=35 Mountain Rd:geo:-72.824691,41.719622
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T150000
DTEND;TZID=America/New_York:20251030T170000
DTSTAMP:20250819T182934Z
CREATED:20250423T201727Z
LAST-MODIFIED:20250819T182934Z
UID:10004213-1761836400-1761843600@ctarttrail.org
SUMMARY:Open Arts Studio
DESCRIPTION:Drop into the Arts Studio for a facilitated series designed by artists\, curators\, and educators that invites families to play\, create\, and experiment with sensory-rich materials and different modes of artmaking. \nFor ages 4–11 with adult caregivers.
URL:https://ctarttrail.org/event/open-arts-studio/2025-10-30/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Art Classes and Workshops,Children,Family Programs,Kids and Families,Programs & Events,Youth & Family Programs
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/04/2025-Open-Arts-Studio.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T173000
DTEND;TZID=America/New_York:20251030T190000
DTSTAMP:20251029T050254Z
CREATED:20251029T050254Z
LAST-MODIFIED:20251029T050254Z
UID:10006947-1761845400-1761850800@ctarttrail.org
SUMMARY:Cocktails and Conversations: Buttons On!
DESCRIPTION:Enjoy two themed cocktails created by a talented bartender from Litchfield Distillery while enjoying an evening with the minds behind Buttons On! Join artist Beau McCall\, and guest curator Souleo as they speak about the exhibition from conception to creation\, and finally installation!\nNon-Member: $20\nMember: $15\nSober: $10\nDocent: $5\nRegister Here\nSponsored by the George and Grace Long Foundation\, the Linford & Mildred White Charitable Fund and the Litchfield Distillery\nInterested in discounts\, free admission\, and more? Become a member today!\nAdd me to Beau’s Mailing List
URL:https://ctarttrail.org/event/cocktails-and-conversations-buttons-on/
LOCATION:Mattatuck Museum\, 144 W Main St\, Waterbury\, CT\, United States
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/10-CC-Square-1-scaled-Eodke9.jpg
GEO:41.556639;-73.043483
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mattatuck Museum 144 W Main St Waterbury CT United States;X-APPLE-RADIUS=500;X-TITLE=144 W Main St:geo:-73.043483,41.556639
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T173000
DTEND;TZID=America/New_York:20251030T190000
DTSTAMP:20251029T050254Z
CREATED:20251029T050254Z
LAST-MODIFIED:20251029T050254Z
UID:10006950-1761845400-1761850800@ctarttrail.org
SUMMARY:Cocktails and Conversations: Buttons On!
DESCRIPTION:Enjoy two themed cocktails created by a talented bartender from Litchfield Distillery while enjoying an evening with the minds behind Buttons On! Join artist Beau McCall\, and guest curator Souleo as they speak about the exhibition from conception to creation\, and finally installation!\nNon-Member: $20\nMember: $15\nSober: $10\nDocent: $5\nRegister Here\nSponsored by the George and Grace Long Foundation\, the Linford & Mildred White Charitable Fund and the Litchfield Distillery\nInterested in discounts\, free admission\, and more? Become a member today!\nAdd me to Beau’s Mailing List
URL:https://ctarttrail.org/event/cocktails-and-conversations-buttons-on-2/
LOCATION:Mattatuck Museum\, 144 W Main St\, Waterbury\, CT\, United States
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/10-CC-Square-1-scaled-jPNlHj.jpg
GEO:41.556639;-73.043483
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mattatuck Museum 144 W Main St Waterbury CT United States;X-APPLE-RADIUS=500;X-TITLE=144 W Main St:geo:-73.043483,41.556639
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T180000
DTEND;TZID=America/New_York:20251030T200000
DTSTAMP:20250408T140840Z
CREATED:20250408T140840Z
LAST-MODIFIED:20250408T140840Z
UID:10003949-1761847200-1761854400@ctarttrail.org
SUMMARY:Monthly Big Band Night at The Carousel Museum
DESCRIPTION:Join us at The Carousel Museum for an enchanting evening with the Al Fenton Big Band. This open rehearsal and dance party is a vibrant blend of music\, dance\, and local culture held in the unique setting of our beloved museum.\n​\nActivities Include:\nLive Music: Experience the dynamic and smooth sounds of the Al Fenton Big Band. The ensemble’s open rehearsal offers a sneak peek into their musical process\, followed by a performance that invites all to the dance floor.\nDance: Bring your dancing shoes and take part in the swing dance session. Whether you’re a seasoned dancer or a beginner\, the rhythm of the big band is sure to get you moving.\nBYOB: Make your evening more delightful by bringing your own beverages and food. Enjoy a relaxed and spirited night out with great music and company.\nExplore: Visit the museum’s exhibits before or after the rehearsal to learn more about the rich history of carousels and the artistry that surrounds them. \nAdmission: Tickets Available at the door.\nAdults: $15\nSeniors/Students: $10\nKids 12 and under: FREE\nMembers: FREE!​ \nThis event is a wonderful way to support local arts while enjoying a night out in the scenic surroundings of The Carousel Museum. It’s perfect for anyone who loves big band music\, dancing\, or simply looking for a unique way to spend an evening.\n​\nSpread the Word\nInvite friends and family who cherish music and dance to join us for this monthly celebration.\n​\nPhoto credit: Emi-Lei Photography & Art \nJoin us for a memorable night each month and make it your new favorite tradition!
URL:https://ctarttrail.org/event/monthly-big-band-night-at-the-carousel-museum-2/2025-10-30/
LOCATION:The Carousel Museum\, 95 Riverside Ave\, Bristol\, CT 06010\, CT\, 06010\, United States
CATEGORIES:Events,Performance,Special Event
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Al-Fenton-Image-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251031T100000
DTEND;TZID=America/New_York:20251031T170000
DTSTAMP:20250630T183639Z
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004149-1761904800-1761930000@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-31/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251031T100000
DTEND;TZID=America/New_York:20251031T170000
DTSTAMP:20250630T183753Z
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005557-1761904800-1761930000@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-31/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251031T100000
DTEND;TZID=America/New_York:20251031T170000
DTSTAMP:20250717T154037Z
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006027-1761904800-1761930000@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-31/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251101T080000
DTEND;TZID=America/New_York:20251101T170000
DTSTAMP:20251004T173929Z
CREATED:20251004T173929Z
LAST-MODIFIED:20251004T173929Z
UID:10006500-1761984000-1762016400@ctarttrail.org
SUMMARY:"A Life Conguring Art and Magic" talk by Maureen McCabe
DESCRIPTION:The Annual Gene and Georgia Mittelman Lecture in the Arts by celebrated collage artist Maureen McCabe\, Emeritus Professor of Studio Art at Connecticut College. \n3:00pm Reception and book signing\n4:00pm Lecture \nFREE. Everyone is welcome. \nRSVP appreciated at the website link below \nBeginning at 3:00 pm\, Douberley and McCabe will be available to sign copies of the exhibition catalogue.\nMaureen McCabe’s lecture begins at 4:00 pm. \nArtist Biography\nMaureen McCabe (b. 1947\, Quincy\, MA) is a celebrated collage artist\, whose playful yet carefully composed assemblages weave imagery from ancient and current cultures\, together with aspects of folklore\, magic\, myth\, and the unexplained. With a career that spans six decades\, McCabe has an extensive exhibition record of more than 30 one-person gallery shows. She has exhibited her work in museums in the United States and Mexico and was the subject of a major retrospective at the Bellevue Arts Museum (WA) in 2006. McCabe received her BFA from Rhode Island School of Design and MFA from the Cranbrook Academy of Art before teaching for four decades at Connecticut College\, where she was recognized with a John S. King Faculty Teaching Award and retired as the Joanne Toor Cummings ’50 Professor of Studio Art. McCabe has had residencies in the U.S. at Yaddo and MacDowell\, and in Italy at the Rockefeller Foundation in Bellagio and the American Academy of Rome. She lives and works in Quaker Hill\, Connecticut.
URL:https://ctarttrail.org/event/a-life-conguring-art-and-magic-talk-by-maureen-mccabe/
LOCATION:William Benton Museum of Art\, 245 Glenbrook Rd\, Storrs\, CT\, 06269\, United States
CATEGORIES:Lectures,Talk/Lecture
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/09/Screenshot-2025-09-16-at-11.00.14-AM-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251101T100000
DTEND;TZID=America/New_York:20251101T140000
DTSTAMP:20250423T201747Z
CREATED:20250423T201747Z
LAST-MODIFIED:20250423T201747Z
UID:10004472-1761991200-1762005600@ctarttrail.org
SUMMARY:Open Arts Studio
DESCRIPTION:Drop into the Arts Studio for a facilitated series designed by artists\, curators\, and educators that invites families to play\, create\, and experiment with sensory-rich materials and different modes of artmaking. \nFor ages 4–11 with adult caregivers.
URL:https://ctarttrail.org/event/open-arts-studio-2/2025-11-01/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Art Classes and Workshops,Children,Family Programs,Kids and Families,Programs & Events,Youth & Family Programs
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/04/2025-Open-Arts-Studio-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251101T100000
DTEND;TZID=America/New_York:20251101T170000
DTSTAMP:20250630T183639Z
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004150-1761991200-1762016400@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-11-01/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
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DTSTART;TZID=America/New_York:20251101T100000
DTEND;TZID=America/New_York:20251101T170000
DTSTAMP:20250630T183753Z
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005558-1761991200-1762016400@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-11-01/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
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DTSTART;TZID=America/New_York:20251101T100000
DTEND;TZID=America/New_York:20251101T170000
DTSTAMP:20250717T154037Z
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006028-1761991200-1762016400@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-11-01/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
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