BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Connecticut Art Trail - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Connecticut Art Trail
X-ORIGINAL-URL:https://ctarttrail.org
X-WR-CALDESC:Events for Connecticut Art Trail
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250101T100000
DTEND;TZID=America/New_York:20251231T170000
DTSTAMP:20260409T042001
CREATED:20250408T140817Z
LAST-MODIFIED:20250408T140817Z
UID:10003954-1735725600-1767200400@ctarttrail.org
SUMMARY:Adopt-a-Horse 2025
DESCRIPTION:Support for the collection helps us tell the stories that we share with our community and visitors every day\, and we could not do it without you! When you adopt one of the 50 animals up for adoption in 2025\, you are directly supporting our efforts to fulfill our mission: The Carousel Museum is a non-profit organization that preserves and exhibits antique and modern carousel art\, and celebrates dedicated craftsmen\, to inspire creativity\, joy\, and wonder. \nWith your adoption you get:\nTo name your animal for the 2025 calendar year!\nA plaque recognizing your contribution in the gallery.\nAn official “Adoption Certificate.”\n1-year Family Membership (12 months from the time of adoption)\nLimited Edition 2025 Adoption Pin!\nFREE General admission to The Carousel Museum all year long! \nEvent Details\nDate: 2025\nTime: Online\nLocation: The Carousel Museum\, 95 Riverside Ave\, Bristol\, CT 06010
URL:https://ctarttrail.org/event/adopt-a-horse-2025/
LOCATION:The Carousel Museum\, 95 Riverside Ave\, Bristol\, CT 06010\, CT\, 06010\, United States
CATEGORIES:Adults,Animals for All,Children
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/Available-Adopt-a-Horse-Stamp-2025-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251001
DTEND;VALUE=DATE:20260615
DTSTAMP:20260409T042001
CREATED:20260402T201126Z
LAST-MODIFIED:20260402T201126Z
UID:10007603-1759276800-1781481599@ctarttrail.org
SUMMARY:The Cold War-Era US Embassy Program & Modern New Canaan
DESCRIPTION:This exhibition highlights the midcentury embassies built in The Hague and in Dublin by architects Marcel Breuer and John Johansen respectively.  \nThe exhibition examines how the architects’ early experimentations in domestic architecture informed and inspired the modern language they later brought to their embassies.  \nOpening Days and Hours: Wednesday through Saturday\, 12 PM to 5 PM  \nOnera Foundation\n63 Park Street\nNew Canaan\, CT 06840
URL:https://ctarttrail.org/event/the-cold-war-era-us-embassy-program-modern-new-canaan/
LOCATION:The Onera Foundation\, 63 Park St\, New Canaan\, CT\, 06840
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2026/03/Onera-Foundation_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251001
DTEND;VALUE=DATE:20260615
DTSTAMP:20260409T042001
CREATED:20260402T201134Z
LAST-MODIFIED:20260402T201134Z
UID:10007602-1759276800-1781481599@ctarttrail.org
SUMMARY:Treaties on De-Fences by Jorge Otero-Pailos
DESCRIPTION:On view through June 13\, 2026 \nOnera Foundation’s inaugural exhibition Treaties on De-Fences by Jorge Otero-Pailos\, explores the preservation of the Eero Saarinen-designed Cold War-era US Embassy in Oslo\, Norway.   \nCurated and produced by the Onera Foundation in close coordination with Otero-Pailos Studio and the National Museum of American Diplomacy\, Treaties on De-Fences  spans five galleries across the first two floors of 63 Park Street.  \nOpening Days and Hour: Wednesday through Saturday\, 12 PM to 5 PM. \nOnera Foundation \n63 Park Street\, New Canaan\, CT
URL:https://ctarttrail.org/event/treaties-on-de-fences-by-jorge-otero-pailos/
LOCATION:The Onera Foundation\, 63 Park St\, New Canaan\, CT\, 06840
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2026/03/Onera-Foundation_1-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251010T100000
DTEND;TZID=America/New_York:20251026T170000
DTSTAMP:20260409T042001
CREATED:20251004T173642Z
LAST-MODIFIED:20251004T173642Z
UID:10006923-1760090400-1761498000@ctarttrail.org
SUMMARY:American Mural Project: Innovation Wall
DESCRIPTION:For more than 350 years\, Connecticut has been the birthplace of invention. The helicopter\, nuclear submarine\, the first space suit on the moon\, and even the Wiffle Ball were all born and manufactured in Connecticut. \nTo honor this legacy\, the American Manufacturing Hall of Fame (AMHoF) is partnering with AMP to host the Innovation Wall\, a 1\,500 sq ft interactive display featuring 50 Connecticut Innovation Firsts. This “greatest hits” of Nutmeg State ingenuity includes everything from the first nuclear submarine to the first moon walk\, from Sikorsky to Silly Putty\, from the WASP engine to Wiffle Balls\, from PEZ to parachutes. Visitors can even hold racing bicycle wheels that won 14 medals at the Paris Olympics. \nThe exhibition is included at no extra charge with regular admission to AMP during open hours. \nOpen on\nFriday and Saturday\, 10am – 5pm\nSunday 12pm – 5pm \nAbout the American Manufacturing Hall of Fame \nThe American Manufacturing Hall of Fame (AMHoF) was formed in 2014 by a passionate group of manufacturing stakeholders. Our mission is to “Celebrate\, Innovate\, Educate.” Since our inception 11 years ago\, AMHoF has inducted and celebrated the innovation of 37 companies\, 10 Manufacturing leaders and has provided over $300\,000 for scholarships and educational programs. We continue to embrace our mission\, “Celebrate\, Innovate\, Educate!”
URL:https://ctarttrail.org/event/american-mural-project-innovation-wall/
LOCATION:American Mural Project\, 90 Whiting St\, Winsted\, 06098\, United States
CATEGORIES:Temporary Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/IW.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251016T100000
DTEND;TZID=America/New_York:20251016T170000
DTSTAMP:20260409T042001
CREATED:20250305T213303Z
LAST-MODIFIED:20250630T183451Z
UID:10002900-1760608800-1760634000@ctarttrail.org
SUMMARY:On Thin Ice: Alaska’s Warming Wilderness
DESCRIPTION:On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape\, bringing attention to the impact of rising temperatures.
URL:https://ctarttrail.org/event/on-thin-ice-alaskas-warming-wilderness/2025-10-16/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/02/Polar-Bear.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251016T100000
DTEND;TZID=America/New_York:20251016T170000
DTSTAMP:20260409T042001
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004136-1760608800-1760634000@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-16/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251016T100000
DTEND;TZID=America/New_York:20251016T170000
DTSTAMP:20260409T042001
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005544-1760608800-1760634000@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-16/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251016T100000
DTEND;TZID=America/New_York:20251016T170000
DTSTAMP:20260409T042001
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006012-1760608800-1760634000@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-16/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251016T150000
DTEND;TZID=America/New_York:20251016T170000
DTSTAMP:20260409T042001
CREATED:20250423T201727Z
LAST-MODIFIED:20250819T182934Z
UID:10004211-1760626800-1760634000@ctarttrail.org
SUMMARY:Open Arts Studio
DESCRIPTION:Drop into the Arts Studio for a facilitated series designed by artists\, curators\, and educators that invites families to play\, create\, and experiment with sensory-rich materials and different modes of artmaking. \nFor ages 4–11 with adult caregivers.
URL:https://ctarttrail.org/event/open-arts-studio/2025-10-16/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Art Classes and Workshops,Children,Family Programs,Kids and Families,Programs & Events,Youth & Family Programs
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/04/2025-Open-Arts-Studio.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251016T173000
DTEND;TZID=America/New_York:20251016T183000
DTSTAMP:20260409T042001
CREATED:20251004T173755Z
LAST-MODIFIED:20251004T173755Z
UID:10006912-1760635800-1760639400@ctarttrail.org
SUMMARY:Workshop: Community Quilting Project
DESCRIPTION:Artist Lizzy Rockwell leads a drop-in workshop in which participants will design and create a quilt square on the theme of “Justice” for a community quilt\, created in conjunction with the Fairfield University Art Museum exhibition Stitching Time: The Social Justice Quilts Collaboration Project (on view in the Walsh Gallery in the Quick Center September 12-December 13\, 2026). All supplies will be provided! \nImage: A Peace By Piece quilting event at Norwalk Library.
URL:https://ctarttrail.org/event/workshop-community-quilting-project/
LOCATION:Quick Center for the Arts\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/https___cdn.evbuc_.com_images_1045122953_144222983080_1_original.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251017T100000
DTEND;TZID=America/New_York:20251017T170000
DTSTAMP:20260409T042001
CREATED:20250305T213303Z
LAST-MODIFIED:20250630T183451Z
UID:10002901-1760695200-1760720400@ctarttrail.org
SUMMARY:On Thin Ice: Alaska’s Warming Wilderness
DESCRIPTION:On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape\, bringing attention to the impact of rising temperatures.
URL:https://ctarttrail.org/event/on-thin-ice-alaskas-warming-wilderness/2025-10-17/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/02/Polar-Bear.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251017T100000
DTEND;TZID=America/New_York:20251017T170000
DTSTAMP:20260409T042001
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004137-1760695200-1760720400@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-17/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251017T100000
DTEND;TZID=America/New_York:20251017T170000
DTSTAMP:20260409T042001
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005545-1760695200-1760720400@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-17/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251017T100000
DTEND;TZID=America/New_York:20251017T170000
DTSTAMP:20260409T042001
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006013-1760695200-1760720400@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-17/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T100000
DTEND;TZID=America/New_York:20251018T140000
DTSTAMP:20260409T042001
CREATED:20250423T201747Z
LAST-MODIFIED:20250423T201747Z
UID:10004470-1760781600-1760796000@ctarttrail.org
SUMMARY:Open Arts Studio
DESCRIPTION:Drop into the Arts Studio for a facilitated series designed by artists\, curators\, and educators that invites families to play\, create\, and experiment with sensory-rich materials and different modes of artmaking. \nFor ages 4–11 with adult caregivers.
URL:https://ctarttrail.org/event/open-arts-studio-2/2025-10-18/
LOCATION:Grace Farms\, 365 Lukes Wood Road\, New Canaan\, CT\, 06840\, United States
CATEGORIES:Art Classes and Workshops,Children,Family Programs,Kids and Families,Programs & Events,Youth & Family Programs
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/04/2025-Open-Arts-Studio-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T100000
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260409T042001
CREATED:20250305T213303Z
LAST-MODIFIED:20250630T183451Z
UID:10002902-1760781600-1760806800@ctarttrail.org
SUMMARY:On Thin Ice: Alaska’s Warming Wilderness
DESCRIPTION:On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape\, bringing attention to the impact of rising temperatures.
URL:https://ctarttrail.org/event/on-thin-ice-alaskas-warming-wilderness/2025-10-18/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/02/Polar-Bear.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T100000
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260409T042001
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004138-1760781600-1760806800@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-18/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T100000
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260409T042001
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005546-1760781600-1760806800@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-18/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T100000
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260409T042001
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006014-1760781600-1760806800@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-18/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T123000
DTEND;TZID=America/New_York:20251018T160000
DTSTAMP:20260409T042001
CREATED:20251004T173750Z
LAST-MODIFIED:20251004T173750Z
UID:10006913-1760790600-1760803200@ctarttrail.org
SUMMARY:Family Day: P-P-Pumpkins!
DESCRIPTION:Join us on Saturday\, October 18\, 2025 in the Bellarmine Hall\, Museum Classroom for a Family Day.  The first session will begin promptly at 12:30 p.m. and the second at 2:30 p.m.\nDuring this Family Day event\, kids ages 4-10 will learn about Pointilism\, Pop\, and Post-Impressionism – come learn to draw and paint a pumplin in the style of different artistic movements!\nPlease note: participants can only sign up for one session. If you cannot attend Family Day\, we request that you cancel your reservation either through Eventbrite or by emailing museum@fairfield.edu. Frequent no-shows will result in the inability to register for additional Family Day programs. Thank you!
URL:https://ctarttrail.org/event/family-day-p-p-pumpkins/
LOCATION:Bellermine Hall – Fairfield University\, 1073 North Benson Rd\, Fairfield\, CT\, 06824\, United States
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/s-l1200.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T123000
DTEND;TZID=America/New_York:20251018T160000
DTSTAMP:20260409T042001
CREATED:20251110T191433Z
LAST-MODIFIED:20251110T191433Z
UID:10006926-1760790600-1760803200@ctarttrail.org
SUMMARY:Family Day: P-P-Pumpkins!
DESCRIPTION:Join us on Saturday\, October 18\, 2025 in the Bellarmine Hall\, Museum Classroom for a Family Day. Learn more about the exhibitions here! The first session will begin promptly at 12:30 p.m. and the second at 2:30 p.m.\nDuring this Family Day event\, kids ages 4-10 will learn about Pointilism\, Pop\, and Post-Impressionism – come learn to draw and paint a pumplin in the style of different artistic movements!\nPlease note: participants can only sign up for one session. If you cannot attend Family Day\, we request that you cancel your reservation either through Eventbrite or by emailing museum@fairfield.edu. Frequent no-shows will result in the inability to register for additional Family Day programs. Thank you!
URL:https://ctarttrail.org/event/family-day-p-p-pumpkins-2/
LOCATION:Fairfield University Art Museum\, 200 Barlow Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Art Classes and Workshops
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/10/s-l1200-1.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:scipollaro@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T170000
DTEND;TZID=America/New_York:20251018T210000
DTSTAMP:20260409T042001
CREATED:20251004T173855Z
LAST-MODIFIED:20251004T173855Z
UID:10006506-1760806800-1760821200@ctarttrail.org
SUMMARY:Spirited Social
DESCRIPTION:Join us for a night of thrills and chills at our annual Halloween bash. Come dressed in your most spook-tacular costume and enjoy a lively night of dancing\, games\, creepy crafts\, and surprise visits from your favorite Halloween icons. Sip on devilishly delicious drinks and enjoy themed snacks. It’s a frightfully fun evening you won’t want to miss! \nNo costumes with props or oversized items\, please. \n• Your ticket will include small bites and two complimentary beverages—choose from beer\, wine\, or a non-alcoholic drink. \n• Spooky beats with DJ Eastman \n• Encounter the mischievous witch sisters as they roam the galleries in search of spooky fun \n• Costume contest for the most bewitching looks \n• Limbo contest—how low can you go? \n• Tarot card readings \n• Caricature portraits  \n• Raise a glass with Charter Oak Brewing Company as they guide you through a tasting of 4–6 hand-crafted and innovative brews. ($10 ticket add-on\, limited capacity\, 21+ up) \n• Free screening of Young Frankenstein in our theater\, the black-and-white love letter to the golden age of monster movies\, with Gene Wilder as the grandson of Victor Frankenstein\, Marty Feldman as his bug-eyed assistant\, Teri Garr as his dreamy lab partner\, and Cloris Leachman as the frightful housekeeper. Directed by Mel Brooks. 1974. US. 1 hour\, 46 minutes. Rated PG. \n$45; $35 members\, Wadsworth Welcome\, and college students with an ID. Registration encouraged.
URL:https://ctarttrail.org/event/spirited-social/
LOCATION:CT
CATEGORIES:Halloween
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/09/SpiritedSocial2025_1024x768-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251018T180000
DTEND;TZID=America/New_York:20251018T220000
DTSTAMP:20260409T042001
CREATED:20250130T214950Z
LAST-MODIFIED:20250927T224803Z
UID:10002589-1760810400-1760824800@ctarttrail.org
SUMMARY:October 18th Gala Party
DESCRIPTION:Saturday\, October 18: Cocktail Style Celebration\nPurchase Tickets\nTickets\n$250 per person\nLimited to 200 guests\nSchedule\nDrinks\, dancing and delicious bites all kick off at 6pm.\nAttire\nFestive Cocktail\n*The event is rain or shine. Please join us in toasting our beloved Museum\, as we bring a taste of Hollywood to Hill-Stead.\nGold Sponsors\nBronze Sponsors  \nPatron Sponsor\nRossmore\nFriend Sponsor\nGaffney\, Bennett & Associates\nHarvest Healthcare\nJohn & Kelly Hartman Foundation\nNorthwest Community Bank\nTzedakah House\nV.F. McNeil Insurance / CHUBB\n 
URL:https://ctarttrail.org/event/october-18th-gala-party/
LOCATION:Hill-Stead Museum\, 35 Mountain Rd\, Farmington\, CT\, United States
CATEGORIES:Adults,Events
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/09/HSG2025_101-small-scaled-6cRLXD.jpg
GEO:41.719622;-72.824691
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hill-Stead Museum 35 Mountain Rd Farmington CT United States;X-APPLE-RADIUS=500;X-TITLE=35 Mountain Rd:geo:-72.824691,41.719622
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251019T100000
DTEND;TZID=America/New_York:20251019T170000
DTSTAMP:20260409T042001
CREATED:20250305T213303Z
LAST-MODIFIED:20250630T183451Z
UID:10002903-1760868000-1760893200@ctarttrail.org
SUMMARY:On Thin Ice: Alaska’s Warming Wilderness
DESCRIPTION:On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape\, bringing attention to the impact of rising temperatures.
URL:https://ctarttrail.org/event/on-thin-ice-alaskas-warming-wilderness/2025-10-19/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/02/Polar-Bear.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251019T100000
DTEND;TZID=America/New_York:20251019T170000
DTSTAMP:20260409T042001
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004139-1760868000-1760893200@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-19/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251019T100000
DTEND;TZID=America/New_York:20251019T170000
DTSTAMP:20260409T042001
CREATED:20250527T184620Z
LAST-MODIFIED:20250630T183753Z
UID:10005547-1760868000-1760893200@ctarttrail.org
SUMMARY:The Art of Work: Painting Labor in Nineteenth-Century Denmark
DESCRIPTION:One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year\, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen\, Denmark\, a fishing village located on the country’s northernmost point. As with the exhibition in Paris\, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes\, subjects\, and locales of Danish Golden Age art. Inspired by growing discourses of nationalism and naturalism\, Danish artists turned to scenes of everyday life\, and especially of labor\, with local men\, women\, and children featuring prominently in their work. Indeed\, as Skagen developed into a thriving art colony in the late nineteenth century\, labor had become a defining feature of Danish painting\, paving the way for other artists—including Vilhelm Hammershøi (1864–1916) and L.A. Ring (1854–1933)—to contemplate the art of work and the work of art. \nOrganized thematically\, the exhibition features a selection of twenty-eight works from the collection of Ambassador John L. Loeb\, Jr.\, that illuminates the virtue and beauty of labor\, whether domestic\, intellectual\, or manual. Women engaged in child rearing and ordinary household tasks—such as laundering\, setting the table\, or mending clothes—reflect the quiet intimacy of domestic work. Agricultural and maritime labor\, which predominated in the coastal towns where many Danish artists lived and worked\, also appear frequently in these paintings\, which serve as testaments to the strength\, endurance\, and respectability of local farmers\, fishermen\, and their families. Other pictures capture the mental exertion required for piano playing\, reading\, writing\, and painting\, positioning artistic creativity as its own valued form of labor. While the portraits\, landscapes\, and interiors on view highlight the dynamism of work as a subject in nineteenth-century Danish art\, they also stand as potent reminders of the artistic labor inherent to their making. \nThe Art of Work: Painting Labor in Nineteenth-Century Denmark is organized by the Bruce Museum and curated by Margarita Karasoulas\, Curator of Art\, and Jordan Hillman\, Curatorial Associate. Support for The Art of Work: Painting Labor in Nineteenth-Century Denmark is generously provided by CT Department of Economic and Community Development\, CT Humanities\, Gabelli Funds\, and the Charles M. and Deborah G. Royce Exhibition Fund.
URL:https://ctarttrail.org/event/the-art-of-work-painting-labor-in-nineteenth-century-denmark/2025-10-19/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Curatorial,FIY
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/05/5_M._Ancher.width-800.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251019T100000
DTEND;TZID=America/New_York:20251019T170000
DTSTAMP:20260409T042001
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006015-1760868000-1760893200@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-19/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251019T133000
DTEND;TZID=America/New_York:20251019T150000
DTSTAMP:20260409T042001
CREATED:20251004T173941Z
LAST-MODIFIED:20251004T173941Z
UID:10006498-1760880600-1760886000@ctarttrail.org
SUMMARY:Get Your Head in the Clouds!: A Fun Afternoon Learning about Clouds
DESCRIPTION:An interactive children’s program starting with a story and ending with a cute cloud-themed craft.  \n$10 per child / $8 per Benton Museum member child (advance registration required) \nDesigned for ages 4-10 (parents encouraged to stay) \nAn interactive children’s program starting with a story and ending with a cute cloud-themed craft. Join us as we draw inspiration from our exhibition Clouds: A Collaboration with Fluid Dynamics. The program will begin with a reading of Connecticut author and illustrator\, Tomie dePaola’s The Cloud Book. After the story\, we will create our own cloud art using straws instead of paintbrushes! \nPurchase your tickets today at the event link below.
URL:https://ctarttrail.org/event/get-your-head-in-the-clouds-a-fun-afternoon-learning-about-clouds/
LOCATION:William Benton Museum of Art\, 245 Glenbrook Rd\, Storrs\, CT\, 06269\, United States
CATEGORIES:Children
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/09/IMG_6871.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251020T100000
DTEND;TZID=America/New_York:20251020T170000
DTSTAMP:20260409T042001
CREATED:20250717T154037Z
LAST-MODIFIED:20250717T154037Z
UID:10006016-1760954400-1760979600@ctarttrail.org
SUMMARY:iCreate 2025: Annual Juried Exhibition of High School Talent
DESCRIPTION:The Bruce Museum proudly presents iCreate 2025\, our annual juried exhibition showcasing exceptional artistic talent from high school students across the region. Now in its 17th year\, this celebrated exhibition transforms our gallery into a vibrant showcase of emerging creativity\, featuring works selected from hundreds of submissions representing dozens of schools throughout Connecticut\, New Jersey\, and New York. \nMajor support for iCreate 2025 is generously provided by an anonymous donor\, with additional support from the CT Department of Economic and Community Development\, CT Humanities\, the Charles M. and Deborah G. Royce Exhibition Fund\, Debbie Simon\, and Lily deJongh Downing and David Yudain. \nImage:\nLilly Messina\nNew Canaan High School\, Grade 12\nMy Name’s Sake\nColored ink on paper\n16.5 x 12.5 inches
URL:https://ctarttrail.org/event/icreate-2025-annual-juried-exhibition-of-high-school-talent/2025-10-20/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://ctarttrail.org/wp-content/uploads/2025/07/iCreate.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251021T100000
DTEND;TZID=America/New_York:20251021T170000
DTSTAMP:20260409T042001
CREATED:20250411T215754Z
LAST-MODIFIED:20250630T183639Z
UID:10004140-1761040800-1761066000@ctarttrail.org
SUMMARY:Isamu Noguchi: Metal the Mirror
DESCRIPTION:“Here is where finally opposites come together\, I see a surprising purity. Stone is the depth\, metal the mirror. They do not conflict…” —Isamu Noguchi \nWhile the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone\, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel\, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work\, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc\, resulting in sculptures that are subtly patterned and highly reflective\, resembling pebbles in a stream or the epidermal layer of skin. \nWriting about the unique materiality of his sculptures\, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern\, fine art and design\, and industry and nature. As a Japanese American artist working in the United States\, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity\, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes. \nFeaturing a selection of nine galvanized steel sculptures\, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first\, Noguchi imparts inanimate forms with human qualities\, complicating the relationship between flesh and steel\, body and mirror. Man-made material is transformed into representations of mountains\, fruit\, and sky in the second grouping\, reflecting Noguchi’s belief that\, in modernity\, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction\, bringing theoretical and spiritual ideas\, weight and weightlessness\, and past and present into visual dialogue. Through these sculptures\, Noguchi explores ways of belonging in between such imagined oppositions. Indeed\, the polished steel surfaces entangle objects\, spaces\, and people in a network of cast reflections\, inviting visitors to contemplate Noguchi’s life\, his practice\, and themselves. \nIsamu Noguchi: Metal the Mirror is curated by Julia Mun\, Curatorial Associate\, with support from Ashley Holland\, Curator and Director of Curatorial Initiatives\, and Javier Rivero Ramos\, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas\, Curator of Art. \nIsamu Noguchi: Metal the Mirror is organized by Art Bridges.
URL:https://ctarttrail.org/event/isamu-noguchi-metal-the-mirror/2025-10-21/
LOCATION:Bruce Museum\, 1 Museum Drive\, Greenwich\, CT\, 06830-7157\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://ctarttrail.org/wp-content/uploads/2025/04/AB_2024_9_13-Sky-Mirror-scaled.jpg
END:VEVENT
END:VCALENDAR