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The Great Pumpkin at Hill-Stead

REGISTER HERE The Halloween fun isn’t over yet! Join us at Hill-Stead on Saturday, November 1 from 1–4pm for a cozy, fall-filled afternoon. Dress up in your spookiest costume or your comfiest flannel and enjoy laid-back trick-or-treating, hayrides, and plenty of pumpkin smashing. Didn’t snag your favorite Reese’s or Snickers last week? Here’s your second chance! Plus, say hi to the sheep and give your old pumpkins (non-painted, please) a green goodbye by recycling them with us. Soak up the…

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when

November 1, 2025 @ 1:00 pm - 4:00 pm

where

35 Mountain Rd
Farmington, CT United States

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REGISTER HERE
The Halloween fun isn’t over yet! Join us at Hill-Stead on Saturday, November 1 from 1–4pm for a cozy, fall-filled afternoon. Dress up in your spookiest costume or your comfiest flannel and enjoy laid-back trick-or-treating, hayrides, and plenty of pumpkin smashing. Didn’t snag your favorite Reese’s or Snickers last week? Here’s your second chance! Plus, say hi to the sheep and give your old pumpkins (non-painted, please) a green goodbye by recycling them with us.
Soak up the cozy charm of fall as October fades into November. It’s the perfect way to keep the festive spirit going just a little bit longer!
Tickets:
$5 person
Please drop in anytime between 1pm and 4pm. Pumpkins must be non-painted. Wear comfy shoes for exploring the property.
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The Art of Work: Painting Labor in Nineteenth-Century Denmark

One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen, Denmark, a fishing village located on the country’s northernmost point. As with the exhibition in Paris, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes, subjects, and locales…

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Monuments: Commemoration and Controversy (organized by The New York Historical) explores monuments and their representations in public spaces as flashpoints of fierce debate over national identity, politics, and race that have raged for centuries. Offering a historical foundation for understanding today’s controversies, the exhibition features fragments of a statue of King George III torn down by American Revolutionaries, a souvenir replica of a bulldozed monument by Harlem Renaissance sculptor Augusta Savage, and a maquette of New York City’s first public…

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