Loading Events

Virtual Lecture: Amy Kurtz Lansing, Curator, Florence Griswold Museum

Virtual Lecture: Tonalist Works in the Collection of the Florence Griswold Museum Amy Kurtz Lansing, Curator, Florence Griswold Museum Presented in conjunction with Dawn & Dusk: Tonalism in Connecticut Streaming only on the quicklive.com Many of the Tonalist artists included in the exhibition Dawn & Dusk: Tonalism in Connecticut frequented the artist’s colony established at Florence Griswold’s boarding house in Lyme, Connecticut – today the Florence Griswold Museum, recently rebranded as the “FloGris.” Paintings by Henry Ward Ranger and Allen…

when

March 26, 2025 @ 5:00 pm - 6:00 pm

where

See event website for details.

cost

Free

contact

Fairfield University Art Museum

203.254.4000 ext. 2726

about

Virtual Lecture: Tonalist Works in the Collection of the Florence Griswold Museum
Amy Kurtz Lansing, Curator, Florence Griswold Museum
Presented in conjunction with Dawn & Dusk: Tonalism in Connecticut
Streaming only on the quicklive.com

Many of the Tonalist artists included in the exhibition Dawn & Dusk: Tonalism in Connecticut frequented the artist’s colony established at Florence Griswold’s boarding house in Lyme, Connecticut – today the Florence Griswold Museum, recently rebranded as the “FloGris.” Paintings by Henry Ward Ranger and Allen Butler Talcott are on loan to the Fairfield University Art Museum for the exhibition. In a special virtual-only lecture on Wednesday, March 26 at 5 p.m., FloGris curator Amy Kurtz Lansing will discuss these and other Tonalist works in the museum’s collection.

About the Exhibition: This exhibition explores Tonalism in the United States from the 1880s to the early 20th century, through artists from the Northeast such as George Inness, John Henry Twachtman, and John Francis Murphy. Tonalism is a transitional movement that grew out of and reacted to the Hudson River School of painting and laid the groundwork for modernism. Evocative landscapes, evoking a spiritual connection to the natural world, often painted from memory, are the primary genre of this movement. The more than fifty artworks in this exhibition are drawn from private and institutional collections.

Image: Allen Butler Talcott, Autumn, Lyme, ca. 1903, oil on canvas. Florence Griswold Museum, Old Lyme, Connecticut; 1954.13

join us:

On Thin Ice: Alaska’s Warming Wilderness

On Thin Ice: Alaska’s Warming Wilderness transports visitors to the Arctic to confront the startling impacts of climate change. Remarkable animals from the Bruce’s natural history collections are paired with scale landscape models that showcase Alaska’s diverse ecosystem. The installation highlights both subtle and dramatic shifts occurring across the Alaskan landscape, bringing attention to the impact of rising temperatures.

Bruce Museum

Isamu Noguchi: Metal the Mirror

“Here is where finally opposites come together, I see a surprising purity. Stone is the depth, metal the mirror. They do not conflict…” —Isamu Noguchi While the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83.…

Bruce Museum

The Art of Work: Painting Labor in Nineteenth-Century Denmark

One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen, Denmark, a fishing village located on the country’s northernmost point. As with the exhibition in Paris, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes, subjects, and locales…

Bruce Museum

follow us: