2025 marks the double centenary of the birth of American artist George Inness (1825-1894), one of the premier landscape painters of the 19th century. Art historian Adrienne Bell, author of the 2015 George Inness and the Visionary Landscape, will discuss Inness’ relationship to the Tonalism movement on Tuesday, January 21 at 5 p.m. in the Diffley Board Room in Bellarmine Hall. A painting by Inness that has not been publicly exhibited in over 70 years, on loan from the Milton Klein Collection at the Bridgeport Public Library is one of the earliest works in the exhibition Dawn & Dusk: Tonalism in Connecticut,

About the Exhibition: This exhibition explores Tonalism in the United States from the 1880s to the early 20th century, through artists from the Northeast such as George Inness, John Henry Twachtman, and John Francis Murphy. Tonalism is a transitional movement that grew out of and reacted to the Hudson River School of painting and laid the groundwork for modernism. Evocative landscapes, evoking a spiritual connection to the natural world, often painted from memory, are the primary genre of this movement. The more than fifty artworks in this exhibition are drawn from private and institutional collections.

The event will be livestreamed on The Quick Live.
George Inness, Durham, Connecticut, 1879, oil on wood panel. Lent by The Milton Klein Collection, Bridgeport Public Library

About the Exhibition: Environmental threats and climate change are urgent matters of concern at Jesuit universities, where conversations on this topic often take place in reference to two documents by Pope Francis: Laudato Si’: On Care for Our Common Home (2015) and the 2023 update Laudate Deum. Artists play an indispensable role in our collective response to climate change. To See This Place: Awakening to Our Common Home, curated by Al Miner and David Brinker, will present work by Athena LaTocha, Mary Mattingly, and Tyler Rai, three contemporary artists whose outlook resonates with the themes of Laudato Si’ and Laudate Deum. Embodying a breadth of personal, geographic, and cultural backgrounds, the three artists create works strongly associated with a sense of place, whether specific or imaginary. They employ media as diverse as photography, sculpture, video, and painting, and often incorporate materials sourced from particular locales. Yet the artists draw forth broader themes from this particularity, critiquing political and economic systems that perpetuate destructive self-interest and drawing attention to people who have been marginalized and historically excluded or harmed. The works are artistically compelling yet can inspire us to creativity and boldness in our efforts to address climate change. This exhibition will open at Saint Louis University’s Museum of Contemporary Religious Art in Fall 2025.

This event forms part of the Edwin L. Weisl, Jr. Lectureships in Art History, funded by the Robert Lehman Foundation. The conversation will also be livestreamed on The Quick Live. Click here to register for a reminder.

Image: Mary Mattingly, Saltwater, 2022, chromogenic dye coupler print. © Mary Mattingly, courtesy of Robert Mann Gallery

About the Exhibition: Environmental threats and climate change are urgent matters of concern at Jesuit universities, where conversations on this topic often take place in reference to two documents by Pope Francis: Laudato Si’: On Care for Our Common Home (2015) and the 2023 update Laudate Deum. Artists play an indispensable role in our collective response to climate change. To See This Place: Awakening to Our Common Home, curated by Al Miner and David Brinker, will present work by Athena LaTocha, Mary Mattingly, and Tyler Rai, three contemporary artists whose outlook resonates with the themes of Laudato Si’ and Laudate Deum. Embodying a breadth of personal, geographic, and cultural backgrounds, the three artists create works strongly associated with a sense of place, whether specific or imaginary. They employ media as diverse as photography, sculpture, video, and painting, and often incorporate materials sourced from particular locales. Yet the artists draw forth broader themes from this particularity, critiquing political and economic systems that perpetuate destructive self-interest and drawing attention to people who have been marginalized and historically excluded or harmed. The works are artistically compelling yet can inspire us to creativity and boldness in our efforts to address climate change. This exhibition will open at Saint Louis University’s Museum of Contemporary Religious Art in Fall 2025.

This event forms part of the Edwin L. Weisl, Jr. Lectureships in Art History, funded by the Robert Lehman Foundation. The conversation will also be livestreamed on The Quick Live.

Image: Mary Mattingly, Saltwater, 2022, chromogenic dye coupler print. © Mary Mattingly, courtesy of Robert Mann Gallery

About the Exhibition: Environmental threats and climate change are urgent matters of concern at Jesuit universities, where conversations on this topic often take place in reference to two documents by Pope Francis: Laudato Si’: On Care for Our Common Home (2015) and the 2023 update Laudate Deum. Artists play an indispensable role in our collective response to climate change. To See This Place: Awakening to Our Common Home, curated by Al Miner and David Brinker, will present work by Athena LaTocha, Mary Mattingly, and Tyler Rai, three contemporary artists whose outlook resonates with the themes of Laudato Si’ and Laudate Deum. Embodying a breadth of personal, geographic, and cultural backgrounds, the three artists create works strongly associated with a sense of place, whether specific or imaginary. They employ media as diverse as photography, sculpture, video, and painting, and often incorporate materials sourced from particular locales. Yet the artists draw forth broader themes from this particularity, critiquing political and economic systems that perpetuate destructive self-interest and drawing attention to people who have been marginalized and historically excluded or harmed. The works are artistically compelling yet can inspire us to creativity and boldness in our efforts to address climate change. This exhibition will open at Saint Louis University’s Museum of Contemporary Religious Art in Fall 2025.

This event forms part of the Edwin L. Weisl, Jr. Lectureships in Art History, funded by the Robert Lehman Foundation. The conversation will also be livestreamed on The Quick Live. Click here to register for a reminder.

Image: Mary Mattingly, Saltwater, 2022, chromogenic dye coupler print. © Mary Mattingly, courtesy of Robert Mann Gallery

The holiday season is one of the happiest times of year on the Connecticut Art Trail, as art museums and cultural sites across the state host special events and celebrations. It’s a great time to explore some of the fantastic destinations Connecticut has to offer, and to wrap up your 2024 Passport-Journal if you want to enter our grand prize giveaway! Don’t forget to take advantage of our seasonal buy one, get one deal for next year’s Passport-Journal; it makes a great gift!

Read our latest newsletter to learn about the latest news and upcoming events on the Connecticut Art Trail, including:

Read the Newsletter

All that glitters…is gold, in this case! Our final edition of Art in Focus this fall, takes a look at this extraordinary print by Maria Katherina Prestel. Prestel has only recently been rediscovered by print historians, as she worked for her husband, Johann Prestel, and his initials appear rather than hers on many of the works.
Join us at 12 noon on December 12 in the Bellarmine Hall Galleries for informal conversation about this work, led by Curator of Education Michelle DiMarzo, PhD. This work is included in the exhibition Ink and Time: European Prints from the Wetmore Collection (Bellarmine Hall Galleries, September 12 – December 21, 2024). Click here for more information about the exhibition.
Looking for the virtual edition? Click here to register.
Image: Maria Katharina Prestel after Jacopo Ligozzi, The Triumph of Truth over Envy, 1780, etching and aquatint in brown and ochre ink, touched with gold leaf. Courtesy of the Wetmore Collection, Connecticut College
Please note that only 2 tickets may be reserved per order. If you have questions, please contact museum@fairfield.edu

All that glitters…is gold, in this case! Our final edition of Virtual Art in Focus this fall, takes a look at this extraordinary print by Maria Katherina Prestel. Prestel has only recently been rediscovered by print historians, as she worked for her husband, Johann Prestel, and his initials appear rather than hers on many of the works.
Join us at 1pm on December 12 on thequicklive.com for informal conversation about this work, led by Curator of Education Michelle DiMarzo, PhD. This work is included in the exhibition Ink and Time: European Prints from the Wetmore Collection (Bellarmine Hall Galleries, September 12 – December 21, 2024). Click here for more information about the exhibition.
Image: Maria Katharina Prestel after Jacopo Ligozzi, The Triumph of Truth over Envy, 1780, etching and aquatint in brown and ochre ink, touched with gold leaf. Courtesy of the Wetmore Collection, Connecticut College.

As we move closer to the holiday season, there’s still plenty of great exhibitions and events to discover on the Connecticut Art Trail — and just a couple of months left to complete your Passport-Journal! If you’re looking to get a head start on your holiday shopping, our popular buy one, get one deal on Passport-Journals will return on November 15th. Member museums will continue to sell 2024 Passports until they run out, or until the start of the new year.

Read our latest newsletter to learn about the latest news and upcoming events on the Connecticut Art Trail, including:

Read the Newsletter

In conjunction with the Bruce exhibition Every Leaf & Twig: Andrew Wyeth’s Botanical Imagination, curator William L. Coleman will share an insider perspective on an underrecognized aspect of the work of a widely loved artist. Wyeth’s place-based practice in the immediate environs of Chadds Ford, Pennsylvania and Port Clyde, Maine included a fascinating array of watercolors and drawings devoted to individual specimens of plant life that he responded to freely across the seasons. In conjunction with the artist’s surviving painting materials and correspondence and in dialogue with the dramatic changes Wyeth’s country has faced in recent years, these remarkable creations speak to a model of sensitive engagement with the natural world that could not be timelier.

Artist and visual storyteller Arvia Walker, whose altar entitled “Sacred” is on view in the exhibition, will lead a discussion on the history and significance of altar-making in AfroDiasporic cultures, followed by a hands-on workshop. Space is limited, and supplies will be provided!