Loading Events

Hill-Stead Short Course – Impressionism: French Origins, American Afterlives

REGISTER Thursday, July 24, 2025 at 3pm – Monet, Hassam, and Light Few chapters in the history of modern art are more loved and revered, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now, more than 150 years after the first impressionist exhibition in Paris in 1874, the…

when

July 24, 2025 @ 2:30 pm - 4:30 pm

where

35 Mountain Rd
Farmington, CT United States

about

REGISTER
Thursday, July 24, 2025 at 3pm – Monet, Hassam, and Light
Few chapters in the history of modern art are more loved and revered, more foundational and debated than the story of French impressionism. The group of painters who initially brought this style of artmaking to world-wide fame was initially small but with each passing generation their supporters and followers have continued to grow. Now, more than 150 years after the first impressionist exhibition in Paris in 1874, the scholarship concerning this style of painting is so extensive that it is difficult to summarize. This short course of 6 lectures confronts this daunting situation head on by breaking impressionism down into key artists and themes central to the movement, focusing specifically on its original practitioners in France and those who later adopted the style in the United States. By analyzing the work of a celebrated French master like Edgar Degas alongside that of his American follower Everett Shinn, for instance, or the paintings of Pierre-Auguste Renoir in conjunction with those of William Glackens, the transatlantic ramifications of impressionism and the enduring power of Hill-Stead’s collection are clarified.
No previous course work in art history is required and no background reading is assigned. An informal syllabus of additional reading, however, is provided for those who are interested. Each lecture will run about 45 minutes. The sessions will be followed by a Q&A. The sessions at 6pm will begin with wine and cheese at 5:30pm. The sessions at 3pm will begin with coffee and goodies at 2:30pm.
Schedule (Summer 2025): (Every other Thursday, alternating at 6pm or 3pm at Hill-Stead)
June 12, 2025 at 6pm – Manet, Sloan, and Critique
June 26, 2025 at 3pm – Renoir, Glackens, and Leisure
July 10, 2025 at 6pm – Morisot, Henri, and Portraiture
July 24, 2025 at 3pm – Monet, Hassam, and Light
August 7, 2025 at 6pm – Degas, Shinn, and Spectacle
August 21, 2025 at 3pm – Cassatt, Bellows, and Gender

join us:

INTRODUCTION TO THE ART OF WATERCOLOR with Terry Donsen Feder

Start to explore the creative potential of painting with watercolor! Learn about mark making, negative space, pigments, transparency, and wet and dry techniques from this highly experienced artist and educator.

Five Points Art Center

“Getting” Contemporary Art

Tuesdays, November 4, 11, and 18 | 5:30 to 6:30pm Individual Class: $49 Member; $55 | Full Three Class Series: $108 Member; $120 | Limited seats available “Getting” Contemporary Art is an interactive class series designed to connect today’s exhibitions with the deeper currents of art history. Each session explores the art historical and cultural contexts of artists currently on view at The Aldrich, blending storytelling, close looking, and discussion to help participants uncover new ways of seeing contemporary art.…

CT

The Art of Work: Painting Labor in Nineteenth-Century Denmark

One hundred and fifty years ago a group of French artists staged their first independent exhibition in Paris and a radical movement called Impressionism was born. In July of that year, Danish artist Michael Ancher (1849–1927) joined Karl Madsen (1855–1938) in Skagen, Denmark, a fishing village located on the country’s northernmost point. As with the exhibition in Paris, Ancher’s arrival there marked the beginning of an artistic revolution that would upend the academic realism and traditional modes, subjects, and locales…

Bruce Museum

follow us: